an at full speed up the street, calling to each other,--

"They are killing Max! Help! help!"

But not a dog barked; and all the town, accustomed to the false alarms
of these nightly prowlers, stayed quietly in their beds. When his two
comrades reached him, Max had fainted. It was necessary to rouse
Monsieur Goddet, the surgeon. Max had recognized Fario; but when he
came to his senses, with several persons about him, and felt that his
wound was not mortal, it suddenly occurred to him to make capital out
of the attack, and he said, in a faint voice,--

"I think I recognized that cursed painter!"

Thereupon Lousteau-Prangin ran off to his father, the judge. Max was
carried home by Cognette, young Goddet, and two other persons. Mere
Cognette and Monsieur Goddet walked beside the stretcher. Those who
carried the wounded man naturally looked across at Monsieur Hochon's
door while waiting for Kouski to let them in, and saw Monsieur
Hochon's servant sweeping the steps. At the old miser's, as everywhere
else in the provinces, the household was early astir. The few words
uttered by Max had roused the suspicions of Monsieur Goddet, and he
called to the woman,--

"Gritte, is Monsieur Joseph Bridau in bed?"

"Bless me!" she said, "he went out at half-past four. I don't know
what ailed him; he walked up and down his room all night."

This simple answer drew forth such exclamations of horror that the
woman came over, curious to know what they were carrying to old
Rouget's house.

"A precious fellow he is, that painter of yours!" they said to her.
And the procession entered the house, leaving Gritte open-mouthed with
amazement at the sight of Max in his bloody shirt, stretched
half-fainting on a mattress.

Artists will readily guess what ailed Joseph, and kept him restless
all night. He imagined the tale the bourgeoisie of Issoudun would tell
of him. They would say he had fleeced his uncle; that he was
everything but what he had tried to be,--a loyal fellow and an honest
artist! Ah! he would have given his great picture to have flown like a
swallow to Paris, and thrown his uncle's paintings at Max's nose. To
be the one robbed, and to be thought the robber!--what irony! So at
the earliest dawn, he had started for the poplar avenue which led to
Tivoli, to give free course to his agitation.

While the innocent fellow was vowing, by way of consolation, never to
return to Issoudun, Max was preparing a horrible outrage for his