at modest Macedonian dames
deemed worthy of a genuine woman's consideration, were repulsive to
him--perhaps because they formed so rude a contrast to his noble dead
mother and to Daphne.
Although he had been very frequently in feminine society, Althea's manner
at first caused him a certain degree of embarrassment; for, in spite of
the fact that he believed he met her here for the first time, there was
something familiar about her, especially in the tone of her voice, and he
fancied that her first words were associated with some former ones.
Yet no! If he had ever met her, he would surely have remembered her
red-gold hair and the other peculiarities of a personality which was
remarkable in every respect.
It soon proved that they were total strangers, and he wished matters to
remain so.
He was glad that she attracted him so little, for at least she would
scarcely make the early departure to the Biamite, which he considered his
duty, a difficult task.
True, he admired from the first the rare milk-white line of her delicate
skin, which was wholly free from rouge--his artist eye perceived that and
the wonderfully beautiful shape of her hands and feet. The pose of the
head on the neck, too, as she turned toward him seemed remarkably fine.
This slender, pliant woman would have been an admirable model!
Again and again she reminded him of a gay Lesbian with whom he had
caroused for a night during the last Dionysia in Alexandria, yet, on
closer inspection, the two were as different as possible.
The former had been as free and reckless in her conduct as Althea was
reserved. The hair and eyebrows of the Lesbian, instead of reddish gold,
were the deepest black, and her complexion--he remembered it
perfectly--was much darker. The resemblance probably consisted merely in
the shape of the somewhat too narrow face, with its absolutely straight
nose, and a chin which was rather too small, as well as in the sound of
the high voice.
Not a serious word had reached his ears from the wanton lips of the
Lesbian, while Althea at once desired information concerning his art, and
showed that she was thoroughly familiar with the works and the
aspirations of the Alexandrian sculptors. Although aware that Hermon had
begun his career as an artist, and was the leader of a new tendency, she
pretended to belong to the old school, and thereby irritated him to
contradiction and the explanation of his efforts, which were rooted in
the dema
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