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at modest Macedonian dames deemed worthy of a genuine woman's consideration, were repulsive to him--perhaps because they formed so rude a contrast to his noble dead mother and to Daphne. Although he had been very frequently in feminine society, Althea's manner at first caused him a certain degree of embarrassment; for, in spite of the fact that he believed he met her here for the first time, there was something familiar about her, especially in the tone of her voice, and he fancied that her first words were associated with some former ones. Yet no! If he had ever met her, he would surely have remembered her red-gold hair and the other peculiarities of a personality which was remarkable in every respect. It soon proved that they were total strangers, and he wished matters to remain so. He was glad that she attracted him so little, for at least she would scarcely make the early departure to the Biamite, which he considered his duty, a difficult task. True, he admired from the first the rare milk-white line of her delicate skin, which was wholly free from rouge--his artist eye perceived that and the wonderfully beautiful shape of her hands and feet. The pose of the head on the neck, too, as she turned toward him seemed remarkably fine. This slender, pliant woman would have been an admirable model! Again and again she reminded him of a gay Lesbian with whom he had caroused for a night during the last Dionysia in Alexandria, yet, on closer inspection, the two were as different as possible. The former had been as free and reckless in her conduct as Althea was reserved. The hair and eyebrows of the Lesbian, instead of reddish gold, were the deepest black, and her complexion--he remembered it perfectly--was much darker. The resemblance probably consisted merely in the shape of the somewhat too narrow face, with its absolutely straight nose, and a chin which was rather too small, as well as in the sound of the high voice. Not a serious word had reached his ears from the wanton lips of the Lesbian, while Althea at once desired information concerning his art, and showed that she was thoroughly familiar with the works and the aspirations of the Alexandrian sculptors. Although aware that Hermon had begun his career as an artist, and was the leader of a new tendency, she pretended to belong to the old school, and thereby irritated him to contradiction and the explanation of his efforts, which were rooted in the dema
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