ared them with the endless rows of
huge columns.

The full blaze of day penetrated nowhere but into the circular vestibule,
which was lighted by openings in the drum of the cupola that rested on
four gigantic columns. In the inner hall there was only dim twilight;
while the hypostyle was quite dark, but for a singularly contrived shaft
of light which produced a most mysterious effect.

The shadows of the great columns in the fore hall, and of the double
colonnade on each side of the hypostyle, lay like bands of crape on the
many-colored pavement; borders, circles, and ellipses of mosaic
diversified the smooth and lucent surface, in which were mirrored the
astrological figures which sparkled in brighter hues on the ceiling, the
trophies of symbols and mythological groups that graced the walls in
tinted high relief, and the statues and Hermes between the columns. A
wreath of lovely forms and colors dazzled the eye with their multiplicity
and profusion, and the heavy atmosphere of incense which filled the halls
was almost suffocating, while the magical and mystical signs and figures
were so many and so new that the enquiring mind, craving for an
explanation and an interpretation of all these incomprehensible
mysteries, hardly dared investigate them in detail.

A heavy curtain, that looked as though giants must have woven it on a
loom of superhuman proportions, hung, like a thick cloud shrouding a
mountain-peak, from the very top of the hypostyle, in grand folds over
the niche containing the statue, and down to the floor; and while it hid
the sacred image from the gaze of the worshipper it attracted his
attention by the infinite variety of symbolical patterns and beautiful
designs which were woven in it and embroidered on it.

The gold and silver vessels and precious jewels that lay concealed by
this hanging were of more value than many a mighty king's treasure; and
everything was on so vast a scale that man shuddered to feel his own
littleness, and the mind sought some new standard of measurement by which
to realize such unwonted proportions. The finite here seemed to pass into
the infinite; and as the spectator gazed up, with his head thrown back,
at the capitals of the lofty columns and the remote height of the
ceiling, his sight failed him before he had succeeded in distinguishing
or even perceiving a small portion only of the bewildering confusion of
figures and emblems that were crowded on to the surface. Greek fee