im
admittance.

"Master Moor has not been here for a long time," said the gate-keeper
angrily: "Artists don't wear ragged clothes, and if you don't wish to see
the inside of a guard-house--a place you are doubtless familiar with--you
had better leave at once."

Ulrich answered the gate-keeper's insulting taunts indignantly and
proudly, for he was no longer the yielding boy of former days, and the
quarrel soon became serious.

Just then a dainty little woman, neatly dressed for the evening
promenade, with the mantilla on her curls, a pomegranate blossom in her
hair, and another on her bosom, came out of the Alcazar. Waving her fan,
and tripping over the pavement like a wag-tail, she came directly towards
the disputants.

Ulrich recognized her instantly; it was Carmen, the pretty embroiderer of
the shell-grotto in the park, now the wife of the new porter, who had
obtained his dead predecessor's office, as well as his daughter.

"Carmen!" exclaimed Ulrich, as soon as he saw the pretty little woman,
then added confidently. "This young lady knows me."

"I?" asked the young wife, turning up her pretty little nose, and looking
at the tall youth's shabby costume. "Who are you?"

"Master Moor's pupil, Ulrich Navarrete; don't you remember me?"

"I? You must be mistaken!"

With these words she shut her fan so abruptly, that it snapped loudly,
and tripped on.

Ulrich shrugged his shoulders, then turned to the porter more
courteously, and this time succeeded in his purpose; for the artist
Coello's body-servant came out of the treasury, and willingly announced
him to his master, who now, as court-artist, occupied Moor's quarters.

Ulrich followed the friendly Pablo into the palace, where every step he
mounted reminded him of his old master and former days.

When he at last stood in the anteroom, and the odor of the fresh
oil-colors, which were being ground in an adjoining room, reached his
nostrils, he inhaled it no less eagerly than, an hour before, he had
breathed the fresh air, of which he had been so long deprived.

What reception could he expect? The court-artist might easily shrink from
coming in contact with the pupil of Moor, who had now lost the
sovereign's favor. Coello was a very different man from the Master, a
child of the moment, varying every day. Sometimes haughty and repellent,
on other occasions a gay, merry companion, who had jested with his own
children and Ulrich also, as if all were on the same f