fury, with fists upraised as if to strike, and
features atrociously fierce and distorted. Their bodies are covered with
bullets of crumbled paper, which have been aimed at them through the
bars, and which have stuck to their monstrous limbs, producing an
appearance of white leprosy: this is the manner in which the faithful
strive to appease them, by conveying to them their prayers written upon
delicate leaflets by the pious bonzes.
Passing between these alarming scarecrows, one reaches the innermost
court. The residence of our friends is on the right, the great hall of
the pagoda is before us.
In this paved court are bronze torch-holders as high as turrets. Here,
too, stand, and have stood for centuries, cyca palms with fresh, green
plumes, their numerous stalks curving with a heavy symmetry, like the
branches of massive candelabra. The temple, which is open along its
entire length, is dark and mysterious, with touches of gilding in
distant corners melting away into the gloom. In the very remotest part
are seated idols, and from outside one can vaguely see their clasped
hands and air of rapt mysticism; in front are the altars, loaded with
marvellous vases in metalwork, whence spring graceful clusters of gold
and silver lotus. From the very entrance one is greeted by the sweet
odor of the incense-sticks unceasingly burned by the priests before the
gods.
To penetrate into the dwelling of our friends the bonzes, which is
situated on the right side as you enter, is by no means an easy matter.
A monster of the fish tribe, but having claws and horns, is hung
over their door by iron chains; at the least breath of wind he swings
creakingly. We pass beneath him and enter the first vast and lofty hall,
dimly lighted, in the corners of which gleam gilded idols, bells, and
incomprehensible objects of religious use.
Quaint little creatures, choir-boys or pupils, come forward with a
doubtful welcome to ask what is wanted.
"Matsou-San!! Dondta-San!!" they repeat, much astonished, when they
understand to whom we wish to be conducted. Oh! no, impossible, they can
not be seen; they are resting or are in contemplation. "Orimas! Orimas!"
say they, clasping their hands and sketching a genuflection or two
to make us understand better. ("They are at prayer! the most profound
prayer!")
We insist, speak more imperatively; even slip off our shoes like people
determined to take no refusal.
At last Matsou-San and Donata-San make
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