shal left his cabinet, and recognized his
old captain in the French Guards, in which, as we have said, the marshal
had been a sergeant. The marshal begged permission to embrace him,
offered his services, his purse, his house; treated him almost exactly as
if he had been under his orders. The old captain was an emigre, and had
returned undecided what he would do. Through the efforts of the marshal
his name was promptly struck out of the list of emigres; but he did not
wish to re-enter the army, and yet was in much need of a position.
Having supported himself during his emigration by giving lessons in
French and Latin, he expressed a desire to obtain a position in the
university. "Well, my colonel," said the marshal with his German accent,
"I will take you at once to my friend M. de Fontanes." The marshal's
carriage is soon at the door, and the respectful protector and his
protege enter the apartments of the grand master of the university.
M. de Fontanes hastens to meet the marshal, who, I have been informed,
made his presentation speech in this style:
"My dear friend, I present to you the Marquis of ----.
"He was my former captain, my good captain. He would like to obtain a
place in the university. Ah! he is not a man of nothing, a man of the
Revolution like you and me. He is my old captain, the Marquis of ---- ."
Finally the marshal closed by saying, "Ah, the good, excellent man! I
shall never forget that when I went for orders to my good captain, he
never failed to say: 'Lefebvre, my child, pass on to the kitchen; go and
get something to eat.' Ah, my good, my excellent captain!"
All the members of the imperial family had a great fondness for music,
and especially the Italian; but they were not musicians, and most of them
sang as badly as his Majesty himself, with the exception of the Princess
Pauline, who had profited by the lessons of Blangini, and sang tolerably
well. In respect of his voice, Prince Eugene showed himself worthy to be
the adopted son of the Emperor; for, though he was a musician and sang
with fervor, it was not in such a manner as to satisfy his auditors.
In compensation, however, Prince Eugene's voice was magnificent for
commanding military evolutions, an advantage which Count Lobau and
General Dorsenne also possessed; and it was consequently always one of
these whom his Majesty appointed to command under his orders on great
reviews.
Notwithstanding the severe etiquette of the Emperor's cour
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