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shal continued writing. Dagobert started at this communication, and then replied, also in a whisper: "It would not have been with your pistols. I took off the caps." The marshal turned round hastily, and looked at him with an air of surprise. But the soldier only nodded his head affirmatively, and added: "Thank heaven, we have now done with all those ideas!" The marshal's only answer was to glance at his children, his eyes swimming with tenderness, and sparkling with delight; then, sealing the note he had written, he gave it to the soldier, and said to him, "Give that to M. Robert. I will see him to-morrow." Dagobert took the letter, and went out. Returning towards his daughters, the marshal joyfully extended his arms to them, and said, "Now, young ladies, two nice kisses for having sacrificed M. Robert to you. Have I not earned them?" And Rose and Blanche threw themselves on their father's neck. About the time that these events were taking place at Paris, two travellers, wide apart from each other, exchanged mysterious thoughts through the breadth of space. BOOK XI. L. The Ruins of the Abbey of St. John the Baptist LI. The Calvary LII. The Council LIII. Happiness LIV. Duty LV. The Improvised Hospital LVI. Hydrophobia LVII. The Guardian Angel LVIII. Ruin LIX. Memories LX. The Ordeal LXI. Ambition LXII. To a Socius, a Socius and a Half LXIII. Faringhea's Affection LXIV. An Evening at St. Colombe's LXV. The Nuptial Bed LXVI. A Duel to the Death LXVII. A Message LXVIII. The First of June EPILOGUE. I. Four Years After II. The Redemption CHAPTER L. THE RUINS OF THE ABBEY OF ST. JOHN THE BAPTIST. The sun is fast sinking. In the depths of an immense piny wood, in the midst of profound solitude, rise the ruins of an abbey, once sacred to St. John the Baptist. Ivy, moss, and creeping plants, almost entirely conceal the stones, now black with age. Some broken arches, some walls pierced with ovals, still remain standing, visible on the dark background of the thick wood. Looking down upon this mass of ruins from a broken pedestal, half-covered with ivy, a mutilated, but colossal statue of stone still keeps its place. This statue is strange and awful. It represents a headless human figure. Clad in the antique toga, it holds in its hand a dish and on that dish is a head. This head is its own. It is the statue of St. John the Baptist and Martyr, p
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