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irps to the tune of 'mamma! mamma!', the bright-faced fairy, whose tiny feet come pattering along, making a merry music, mamma's own Frances! And following her guidance, here we are in the dear round room time enough to catch the last rays of the sun, as they light the noble landscape which lies like a panorama around us, lingering longest on that long island of old thorns and stunted oaks, the oasis of B. Heath, and then vanishing in a succession of gorgeous clouds. October 28th.--Another soft and brilliant morning. But the pleasures of to-day must be written in shorthand. I have left myself no room for notes of admiration. First we drove about the coppice: an extensive wood of oak, and elm, and beech, chiefly the former, which adjoins the park-paling of F. Hill, of which demesne, indeed, it forms one of the most delightful parts. The roads through the coppice are studiously wild; so that they have the appearance of mere cart-tracks: and the manner in which the ground is tumbled about, the steep declivities, the sunny slopes, the sudden swells and falls, now a close narrow valley, then a sharp ascent to an eminence commanding an immense extent of prospect, have a striking air of natural beauty, developed and heightened by the perfection of art. All this, indeed, was familiar to me; the colouring only was new. I had been there in early spring, when the fragrant palms were on the willow, and the yellow tassels on the hazel, and every twig was swelling with renewed life; and I had been there again and again in the green leafiness of midsummer; but never as now, when the dark verdure of the fir-plantations, hanging over the picturesque and unequal paling, partly covered with moss and ivy, contrasts so remarkably with the shining orange-leaves of the beech, already half fallen, the pale yellow of the scattering elm, the deeper and richer tints of the oak, and the glossy stems of the 'lady of the woods,' the delicate weeping birch. The underwood is no less picturesque. The red-spotted leaves and redder berries of the old thorns, the scarlet festoons of the bramble, the tall fern of every hue, seem to vie with the brilliant mosaic of the ground, now covered with dead leaves and strewn with fir-cones, now, where a little glade intervenes, gay with various mosses and splendid fungi. How beautiful is this coppice to-day! especially where the little spring, as clear as crystal, comes bubbling out from the old 'fantastic' beech
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