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lly come round to say," interposed Stewart, "is that there's an O.L.G. dinner to-night at the Grid; and then afterward we're all going across to my digs opposite." "And what about lunch with me?" Both Maurice and Nigel excused themselves. Maurice intended to spend all day at the Union. Nigel had booked himself to play fug-socker with three hearty Trindogs of Trinity. "But when did you join the Union?" Michael asked the editor. "I thought it was policy," he explained. "After all, though we laugh at it here, most of the Varsity does belong. Besides, Townsend and Bill Mowbray were both keen. You see they think the O.L.G. is going to have an influence in Varsity politics. And, after all, I am editor." "You certainly are," Michael agreed. "Nothing quite so editorial was ever conceived by the overwrought brain of a disappointed female contributor." Michael always enjoyed dining at the Grid. Of all the Oxford clubs it seemed to him to display the most completely normal undergraduate existence. Vincent's, notwithstanding its acknowledged chieftaincy, depended ultimately too much on a mechanically apostolic succession. It was an institution to be admired without affection. It had every justification for calling itself The Club without any qualifying prefix, but it produced a type too highly specialized, and was too definitely Dark Blue and Leander Pink. In a way, too, it belonged as much to Cambridge, and although violently patriotic had merged its individuality in brawn. By its substitution of co-option for election, its Olympic might was now scarcely much more than the self-deification of Roman Emperors. Vincent's was the last stronghold of muscular supremacy. Yet it was dreadfully improbable, as Michael admitted to himself, that he would have declined the offer of membership. The O.U.D.S. was at the opposite pole from Vincent's, and if it did not offend by its reactionary encouragement of a supreme but discredited spirit, it offended even more by fostering a premature worldliness. For an Oxford club to take in The Stage and The Era was merely an exotic heresy. On the walls of its very ugly room the pictures of actors that in Garrick Street would have possessed a romantic dignity produced an effect of strain, a proclamation of mounte-bank-worship that differed only in degree from the photographs of actresses on the mantelpiece of a second-rate room in a second-rate college. The frequenters of the O.U.D.S. were a
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