a full view of the door. Then he learns the meaning of the sound
he has heard. Great clouds of smoke are belching through the opening,
and are rolling heavily away upon the chill, scented air. His jaws come
together, his breath catches, and a look that is the expression of a
mind distracted leaps into his eyes. He knows that his store is on fire.
He does not leave his lurking-place, for he knows that there is no means
of staying the devouring flames. Besides, the man must still be within.
Yes, he is certainly still within the building, for he can hear him.

The cries of the wild come up from the forest but Victor no longer heeds
them. The hiss and crackle of the burning house permeate his brain. His
eyes watch the smoke with a dreadful fascination. He cannot think, he
can only watch, and he is gripped by a more overwhelming terror than
ever.

Suddenly a fringe of flame pursues the smoke from the door. It leaps,
and rushes up the woodwork of the thatch above and shoots along to the
pitch of the roof. The rapidity of the mighty tongues is appalling.
Still the man is within the building, for Victor can hear his voice as
he talks and laughs at the result of his handiwork.

The madman's voice rises high above the roar of the flames. The fire
seems to have driven him to the wildest pitch of insensate excitement,
and Victor begins to wonder what the end will be.

A moment later he hears distant words come from the burning house. They
come in a shout that is like the roar of some wild beast, and they sound
high above every other sound. There is in them the passionate ring of
one who abandons all to one overpowering desire.

"Aim-sa! Aim-sa! Wait, I'm comin'."

There is an instant's silence which the sound of the hungry flames
devours. Then, through the blazing doorway, the great form of Nick
Westley rushes headlong, shouting as he comes.

"Aim-sa! Aim-sa!"

The cry echoes and reechoes, giving fresh spirit to the baying of the
wolves that wait in the cover of the woodland. On rushes the man
heedless of the excoriating roughnesses of the ground beneath his bare
and battered feet. He gazes with staring eyes upon the woods as though
he sees the vision of the woman that has inspired his cry. On, he speeds
towards the beasts whose chorus welcomes him; on, to the dark woods in
which he plunges from view.

* * * * *

Jean Leblaude, standing within cover of the woods which lined the