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Project Gutenberg's Applied Design for Printers, by Harry Lawrence Gage This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Applied Design for Printers Typographic Technical Series for Apprentices #43 Author: Harry Lawrence Gage Release Date: December 30, 2009 [EBook #30804] Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK APPLIED DESIGN FOR PRINTERS *** Produced by Barbara Tozier, Bill Tozier, Stephanie Eason, and the Online Distributed Proofreading Team at http://www.pgdp.net. TYPOGRAPHIC TECHNICAL SERIES FOR APPRENTICES--PART VII. NO. 43 APPLIED DESIGN FOR PRINTERS A HANDBOOK OF THE PRINCIPLES OF ARRANGEMENT, WITH BRIEF COMMENT ON THE PERIODS OF DESIGN WHICH HAVE MOST STRONGLY INFLUENCED PRINTING BY HARRY LAWRENCE GAGE PUBLISHED BY THE COMMITTEE ON EDUCATION UNITED TYPOTHETAE OF AMERICA 1920 Copyright, 1920 United Typothetae of America Chicago, Ill. Composition and electrotypes contributed by STATE JOURNAL COMPANY Lincoln, Neb. FOREWORD This primer of design is an earnest effort to make intelligible to the apprentice student certain fundamental principles of arrangement and of ornamentation whose use is instinctive to the accomplished typographer. It has been often written that there are no rules in Art, and equally often that the master artist (or craftsman) is he who can skillfully break all rules. It must be inevitable that the apprentice shall adhere too closely to each newly observed principle before his work can be a well-rounded embodiment of them all. To him is commended this exact procedure, recognizing, as his perception grows, that there are good reasons why traditions are emphasized here and all-embracing rules and formulae are not to be found. Due credit must be paid to Mr. Ernest Allen Batchelder, who first devoted his pen and brush directly to the printer's problem in design, and who in turn gives honor to the influence of Mr. Denman Ross. Neither has expressed a method but has graphically analyzed the attitude of mankind during successive epochs toward those matters which deal with beauty. It is to be hoped that this little b
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