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laughed. 'She might have grandchildren herself, I think,' she said. 'Yes, my child, if you scraped the paint you might find the grandmother beneath. Indeed, the Geyling is nearly as old as I am,' laughed Madame de Ruth, delighted at Wilhelmine's judgment of the woman whom she hated. 'But see,' she continued, 'here comes the figure dance.' As she spoke the doors at the end of the dancing-hall opened, and the musicians in the gallery began to play a lilting strain. Quite slowly through the gilded doors came a tiny figure dressed in wreaths of leaves and flowers, a golden bow in his hand, and at his side a miniature quiver filled with paper arrows. 'The Geyling's nephew,' said Madame de Ruth, 'and the only good thing about her! A charmingly naughty child, who they hope, however, will play his Cupid's role to-night, though he is as likely as not to do exactly the reverse, for he is by nature a god of mischief!' The child walked solemnly to the centre of the hall, and there began to dance a rapid skipping measure, waving his bow over his head the while. The onlookers burst into applause. Then the music softened to an accompaniment, and boys' voices from the musicians' loft sang in parts. 'Bad verses, my dear,' grunted Madame de Ruth, 'yet a pretty air. They say the Geyling wrote the rhymes--that explains it!' But her grumble was lost to Wilhelmine, who was observing the entry of four rather lightly clad nymphs, who came forward in a graceful swaying line, encircling the child, who stood stock-still in the midst wondering, poor mite, if this long game would soon be ended. At length the four nymphs sank to their knees before the boy, holding out their arms to him, while the voices in the gallery warbled with ever-increasing rapture. The child ran from one kneeling figure to the other: first to Mademoiselle de Gemmingen, then to Mademoiselle de Varnbueller, to Mademoiselle de Reischach, and before his aunt, Madame de Geyling, the little fellow stopped and took his aim, with his bow and paper arrows. Everything was going admirably, never had this Cupid behaved so exactly as arranged. Already the Geyling was feigning to fall backwards in affected alarm, when Cupid whipped round saying, in a high childish treble, 'Non, ma tante, je ne te choisis pas, tu es trop mechante!' An audible titter went round the audience, for the Geyling was universally disliked. Cupid now thoroughly entering into the mischief of the game, ran
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