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considerably whilst he spoke, and those who were watching him so anxiously saw the ugly dark frown gradually lighten on his brow. No wonder! since he was just a man face to face with an exceptionally beautiful woman, to whose pity he was endeavouring to make appeal. At all times an easy and a pleasant task, it must have been doubly so now when the object of mercy was so deserving. Taurus Antinor looked straight into the lovely face before him, marvelling when those exquisite blue eyes would soften with their first look of pity. But they remained serene and mysterious, neither avoiding his gaze nor responding to its appeal. The delicately chiselled lips retained their slight curve of scorn. He gave a sign to Menecreta, and she approached, tottering like one who is drunken with wine, or who has received a heavy blow on the head. She stood before Dea Flavia, with head trembling like poplar leaves and great hollow eyes fixed in meaningless vacancy upon the great patrician lady. "This is Menecreta, O Dea Flavia," concluded the praefect; "wilt allow her to plead her own cause?" Without replying directly to him, Dea Flavia turned for the first time to the slave-girl on the platform. "Is this thy mother?" she asked. "Yes!" murmured the girl. "Hast a wish that she should buy thy freedom?" "Yes." "That thou shouldst go with her to the hovel which is her home, the only home that thou wouldst ever know? Hast a wish to become the slave of that old woman, whose mind hath already gone wandering among the shadows, and whose body will very shortly go in search of her mind? Hast a wish to spend the rest of thy days scrubbing floors and stewing onions in an iron pot? Or is thy wish to dwell in the marble halls of Dea Flavia's house, where the air is filled with the perfume of roses and violets and tame songbirds make their nests in the oleander bushes? Wouldst like to recline on soft downy cushions, allowing thy golden hair to fall over thy shoulders the while I, mallet or chisel in hand, would make thy face immortal by carving it in marble? The praefect saith thine is a case for pity, then do I have pity upon thee, and give thee the choice of what thy life shall be. Squalor and misery as thy mother's slave, or joy, music, and flowers as mine." Her voice, ever low and musical, had taken on notes of tenderness and of languor. The tears of pity which the praefect had vainly tried to conjure up gathered now in her eyes a
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