chloride of lime about 1
oz., dry. Return to alum bath and repeat process, wash well, dye
slowly with 1-1/2 oz. Flavin.
(7) ORANGE
(For 1 lb.) Boil 2 oz. Annatto with 1 oz. carbonate of soda crystals
for 1/2 hour, then add to a bath containing a teaspoonful of Turkey
Red Oil, boil for 10 minutes. Take off boil, enter yarn, boil for
1-1/4 hours, let cool to hand heat, remove yarn, wash slightly and dry
quickly.
(8) BROWN
(For 1 lb.) Enter in one bath 1 oz. Cutch, in another 1/2 oz. Chrome.
Enter cotton in cutch bath, boil 20 minutes, wring out, boil 10
minutes in chrome bath. Add 6 oz. fustic or 1 oz. flavin to cutch
bath, re-enter cotton. Repeat above until the required depth of colour
is reached, finish in cutch bath to obtain deepest shade, which may be
darkened by adding 1 drachm or so copper sulphate. A greyish drab may
be got by adding ferrous sulphate. All shades of brown may be obtained
by decreasing or increasing the amount of cutch or by adding a little
logwood or fustic, in which latter case the cotton should have been
previously mordanted.
(9) BLACK
(For 1 lb.) Wash, steep overnight in hot solution of tannic acid, 1
oz., wring out without washing, work for 10 minutes in soda bath, at a
temperature of 50 deg. to 60 deg.C., 1-1/4 oz. Wring out, work in cold
solution of copperas, 1-1/4 oz., for 1/2 hour, return to soda bath for
1/4 hour. Wash, dye in bath of logwood 12 oz., madder 2-1/2 oz., and
fustic 8 oz. Enter into cold bath and raise gradually to boiling, boil
for 1/2 hour, pass through warm solution of chrome, 1 oz., wash, work
through warm soap bath.
Greys may be obtained with 1 to 5 per cent of logwood after mordanting
in a weak solution of iron.
THE ZINC-LIME INDIGO VAT
_The Zinc-lime Indigo Vat._ It will be necessary to explain these
words--Indigo blue is insoluble and cannot be used for dyeing. If
however it is "reduced" or changed to indigo white, it has, while it
is in this form, an affinity for vegetable and animal fibre. These
fibres will take it up from the solution and retain it. If they are
then exposed to the air, the oxygen acts upon the indigo in the fibre
and turns it back again to indigo blue. Various chemicals can be used
to reduce indigo blue to indigo white. I propose to describe how the
work is done with zinc dust and lime as reducing agents.
In course of time the word "vat" has been transferred from the dyeing
vessels themselves to their contents; _i.e._, the
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