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chloride of lime about 1 oz., dry. Return to alum bath and repeat process, wash well, dye slowly with 1-1/2 oz. Flavin. (7) ORANGE (For 1 lb.) Boil 2 oz. Annatto with 1 oz. carbonate of soda crystals for 1/2 hour, then add to a bath containing a teaspoonful of Turkey Red Oil, boil for 10 minutes. Take off boil, enter yarn, boil for 1-1/4 hours, let cool to hand heat, remove yarn, wash slightly and dry quickly. (8) BROWN (For 1 lb.) Enter in one bath 1 oz. Cutch, in another 1/2 oz. Chrome. Enter cotton in cutch bath, boil 20 minutes, wring out, boil 10 minutes in chrome bath. Add 6 oz. fustic or 1 oz. flavin to cutch bath, re-enter cotton. Repeat above until the required depth of colour is reached, finish in cutch bath to obtain deepest shade, which may be darkened by adding 1 drachm or so copper sulphate. A greyish drab may be got by adding ferrous sulphate. All shades of brown may be obtained by decreasing or increasing the amount of cutch or by adding a little logwood or fustic, in which latter case the cotton should have been previously mordanted. (9) BLACK (For 1 lb.) Wash, steep overnight in hot solution of tannic acid, 1 oz., wring out without washing, work for 10 minutes in soda bath, at a temperature of 50 deg. to 60 deg.C., 1-1/4 oz. Wring out, work in cold solution of copperas, 1-1/4 oz., for 1/2 hour, return to soda bath for 1/4 hour. Wash, dye in bath of logwood 12 oz., madder 2-1/2 oz., and fustic 8 oz. Enter into cold bath and raise gradually to boiling, boil for 1/2 hour, pass through warm solution of chrome, 1 oz., wash, work through warm soap bath. Greys may be obtained with 1 to 5 per cent of logwood after mordanting in a weak solution of iron. THE ZINC-LIME INDIGO VAT _The Zinc-lime Indigo Vat._ It will be necessary to explain these words--Indigo blue is insoluble and cannot be used for dyeing. If however it is "reduced" or changed to indigo white, it has, while it is in this form, an affinity for vegetable and animal fibre. These fibres will take it up from the solution and retain it. If they are then exposed to the air, the oxygen acts upon the indigo in the fibre and turns it back again to indigo blue. Various chemicals can be used to reduce indigo blue to indigo white. I propose to describe how the work is done with zinc dust and lime as reducing agents. In course of time the word "vat" has been transferred from the dyeing vessels themselves to their contents; _i.e._, the
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