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here? Perhaps, one of these days, I may be able to make use of some of the many interesting stories of events that have really happened, which have been placed in my hands by persons who could speak as witnesses to the truth of the narrative. Thus far, I have not ventured to disturb the repose of these manuscripts in the locked drawer allotted to them. The true incidents are so "far-fetched"; and the conduct of the real people is so "grossly improbable"! As for the object which I have had in view in writing this story, it is, I hope, plain enough to speak for itself. I subscribe to the article of belief which declares, that the conditions of human happiness are independent of bodily affliction, and that it is even possible for bodily affliction itself to take its place among the ingredients of happiness. These are the views which "Poor Miss Finch" is intended to advocate--and this is the impression which I hope to leave on the mind of the reader when the book is closed. W. C. January 16th, 1872. NOTE TO THE PRESENT EDITION. IN expressing my acknowledgments for the favorable reception accorded to the previous editions of this story, I may take the present opportunity of adverting to one of the characters, not alluded to in the Letter of Dedication. The German oculist--"Herr Grosse"--has impressed himself so strongly as a real personage on the minds of some of my readers afflicted with blindness, or suffering from diseases of the eye, that I have received several written applications requesting me to communicate his present address to patients desirous of consulting him! Sincerely appreciating the testimony thus rendered to the truth of this little study of character, I have been obliged to acknowledge to my correspondents--and I may as well repeat it here--that Herr Grosse has no (individual) living prototype. Like the other Persons of the Drama, in this book and in the books which have preceded it, he is drawn from my general observation of humanity. I have always considered it to be a mistake in Art to limit the delineation of character in fiction to a literary portrait taken from any one "sitter." The result of this process is generally (to my mind) to produce a caricature instead of a character. November 27th, 1872 CONTENTS CHAPTER FIRST Madame Pratolungo presents Herself SECOND Madame Pratolungo makes a Voyage on Land THIRD Poor Miss Finch FOURTH Twilight View of the Man FIFTH
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