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wer implied by "motor," the ability to control assured in the title "aviator," all combined with the personality and enthusiasm of girls themselves, make this story one for any girl or other reader "to go crazy over." Aviation is not confined to the sterner sex as has been shown by the flights made by Harriet Quimby and other daring young women. Girls who are fond of adventure will thoroughly enjoy reading these books, which are wholesome and free from sensationalism. Price, postpaid, 50 cents per copy or the four books for $1.75. HURST & COMPANY, Publishers, NEW YORK ----------------------------------------------------------------------- Transcriber's Notes: 1. Punctuation has been normalized to contemporary standards. 2. Missing text, truncated by printer: p. 131: "mother has gone far beyond our means. She hasn't" 3. Several places in the text suggest missing or incorrect text: p. 15: "I met Effie the night a came home" replaced with "I met Effie the night I came home" p. 145: "Now go and much in train for the afternoon as you can." No replacement made. p. 120: "but she for certain that he would come" replaced with "but she knew for certain that he would come" 4. Superfluous, repeated disconnected text on two sequential lines: p. 168: changed voice. "Before God, I couldn't help it." a changed voice. "Before God, I couldn't help it." 5. Typographic errors corrected: seventh page of advertisements: "terrestial" to "terrestrial." "stumbling-blocks in their terrestrial path" p. 24 "undestad" to "understand." "Now you understand" p. 111 "helds" to "held." "when she held the purse strings." End of the Project Gutenberg EBook of A Girl in Ten Thousand, by L. T. Meade *** END OF THIS PROJECT GUTENBERG EBOOK A GIRL IN TEN THOUSAND *** ***** This file should be named 19761.txt or 19761.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/9/7/6/19761/ Produced by Roger Frank and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distribute it in the United States without perm
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