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life was made of tears, smiles, dreams, fantasies, flutterings of wings, too celestial for the gross air of earth. According to another, she was too recklessly thorough, and used too shattering an emphasis. In fact, both these sides were true. Gentz, the celebrated politician, called her "a great man," and confessed himself to be, in comparison, a woman. Yet no one who knew her could deny that she strikingly possessed the best traits of her sex, purity, tenderness, modesty, patience, and self-sacrifice. In 1813, during the horrors of disease in Berlin, and the horrors of war in Prague, she gave herself up with joy to nursing the sick and the wounded. "The feast of doing good," she called it. "Never have I seen elsewhere," said Varnhagen, "such a mass of masculine breadth and penetration, alongside of which, however, swelled, without remission, the warm flow of womanly mildness and beauty. Never have I seen an eye and a mouth animated with such loveliness, and yet, at times, giving vent to such outbreaks of enthusiasm and indignation." Her intellectual power and her tact formed, no doubt, one strong element of the attraction which drew and kept so many artists, philosophers, preachers, statesmen, and brilliant social leaders by her side. But her heroic and unconquerable truthfullness was a still more royal and authoritative trait. She sought for truth; she spoke truth; she indignantly denounced all falsehoods and shams. Some of her sentences on this point seem burned into the page, as by the flame of a blowpipe. "The whole literary and fashionable world is baked together of lies." To those who expressed their respect and admiration of her she said, "Natural candor, absolute purity of soul, and sincerity of heart are the only things worthy of homage: the rest is conventionality." She wrote to a friend, "Never try to suppress a generous impulse, or to crowd out a genuine feeling: despair or discouragement is the only fruit of dry reasoning, unenlightened by the heart." In the following sentence she betrays, by the law of opposites, the deepest charm of such a nature as her own; namely, a thoroughly sincere and fluent spontaneousness of character. "I have just found out the thing that I most utterly hate: it is pedantry. To see such a big nothing in full march is to me the most revolting and the most unendurable of all sights." Another fine and winning quality in Rahel was her profound interest in exalted and original
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