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The Project Gutenberg eBook, The Actress in High Life, by Sue Petigru Bowen This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Actress in High Life An Episode in Winter Quarters Author: Sue Petigru Bowen Release Date: November 30, 2005 [eBook #17191] Language: English Character set encoding: ISO-646-US (US-ASCII) ***START OF THE PROJECT GUTENBERG EBOOK THE ACTRESS IN HIGH LIFE*** E-text prepared by Mark Meiss from page images and corrected digital text generously provided by the Wright American Fiction Project (http://www.letrs.indiana.edu/web/w/wright2/) of the Library Electronic Text Service of Indiana University Note: Images of the original pages are available through the Wright American Fiction Project (http://www.letrs.indiana.edu/web/w/wright2/) of the Library Electronic Text Service of Indiana University. THE ACTRESS IN HIGH LIFE: An Episode in Winter Quarters. (Sue Petigru Bowen) "Grim-Visag'd War hath smooth'd his wrinkled front; And now, instead of mounting barbed steeds, To fright the souls of fearful adversaries, He capers nimbly in a lady's chamber, To the lascivious pleasing of a lute." New York: Derby & Jackson. 1860. Entered according to Act of Congress, in the year 1860, in the Clerk's office of the District Court of South Carolina. C.A. Alvord, Printer, New York. THE ACTRESS IN HIGH LIFE; AN EPISODE IN WINTER QUARTERS. CHAPTER I. I was a traveler, then, upon the moor, I saw the hare that raced about with joy, I heard the woods and distant waters roar, Or heard them not, as happy as a boy; The pleasant season did my heart employ. My old remembrances went from me wholly, And all the ways of men so vain and melancholy. Wordsworth. Gentle Reader: Wherever you may be, in bodily presence, when you cast your eyes on this page, let it for a few hours transport your complying spirit to a remote region and a bygone day. We may alter names without injury to our story; but every real character, or event, has its own time, place, and accidents; to tear it from them is like transplanting a tree
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