eivable. The principal features
are the auditorium, seating eleven hundred people and capable of holding
fifteen hundred; the "Mother's Room," designed for the exclusive use of
Mrs. Eddy; the "directors' room," and the vestry. The girders are all of
iron, the roof is of terra cotta tiles, the galleries are in plaster
relief, the window frames are of iron, coated with plaster; the staircases
are of iron, with marble stairs of rose pink, and marble approaches.
The vestibule is a fitting entrance to this magnificent temple. In the
ceiling is a sunburst with a seven-pointed star, which illuminates it. From
this are the entrances leading to the auditorium, the "Mother's Room," and
the directors' room.
The auditorium is seated with pews of curly birch, upholstered in old rose
plush. The floor is in white Italian mosaic, with frieze of the old rose,
and the wainscoting repeats the same tints. The base and cap are of pink
Tennessee marble. On the walls are bracketed oxidized silver lamps of Roman
design, and there are frequent illuminated texts from the Bible and from
Mrs. Eddy's "Science and Health with Key to the Scriptures" impanelled. A
sunburst in the centre of the ceiling takes the place of chandeliers. There
is a disc of cut glass in decorative designs, covering one hundred and
forty-four electric lights in the form of a star, which is twenty-one
inches from point to point, the centre being of pure white light, and each
ray under prisms which reflect the rainbow tints. The galleries are richly
panelled in relief work. The organ and choir gallery is spacious and rich
beyond the power of words to depict. The platform--corresponding to the
chancel of an Episcopal church--is a mosaic work, with richly carved seats
following the sweep of its curve, with a lamp stand of the Renaissance
period on either end, bearing six richly wrought oxidized silver lamps,
eight feet in height. The great organ comes from Detroit. It is one of vast
compass, with AEolian attachment, and cost eleven thousand dollars. It is
the gift of a single individual--a votive offering of gratitude for the
healing of the wife of the donor.
The chime of bells includes fifteen, of fine range and perfect tone.
THE "MOTHER'S ROOM"
The "Mother's Room" is approached by an entrance of Italian marble, and
over the door, in large golden letters on a marble tablet, is the word
"Love." In this room the mosaic marble floor of white has a Romanesque
border and
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