the opinion of the
assembly. I was ordered to inscribe in the records, that if two
married people slept on two separate beds in the same room the beds
ought not to be set on castors.
"With this proviso," put in one of the members, "that the present
decision should have no bearing on any subsequent ruling upon the best
arrangement of the beds of married people."
The president passed to me a choicely bound volume, in which was
contained the original edition, published in 1788, of the letters of
Charlotte Elizabeth de Baviere, widow of the Duke of Orleans, the only
brother of Louis XIV, and, while I was transcribing the passage
already quoted, he said:
"But, gentlemen, you must all have received at your houses the
notification in which the second question is stated."
"I rise to make an observation," exclaimed the youngest of the jealous
husbands there assembled.
The president took his seat with a gesture of assent.
"Gentlemen," said the young husband, "are we quite prepared to
deliberate upon so grave a question as that which is presented by the
universally bad arrangement of the beds? Is there not here a much
wider question than that of mere cabinet-making to decide? For my own
part I see in it a question which concerns that of universal human
intellect. The mysteries of conception, gentlemen, are still enveloped
in a darkness which modern science has but partially dissipated. We do
not know how far external circumstances influence the microscopic
beings whose discovery is due to the unwearied patience of Hill,
Baker, Joblot, Eichorn, Gleichen, Spallanzani, and especially of
Muller, and last of all of M. Bory de Saint Vincent. The imperfections
of the bed opens up a musical question of the highest importance, and
for my part I declare I shall write to Italy to obtain clear
information as to the manner in which beds are generally arranged. We
do not know whether there are in the Italian bed numerous curtain
rods, screws and castors, or whether the construction of beds is in
this country more faulty than everywhere else, or whether the dryness
of timber in Italy, due to the influence of the sun, does not _ab ovo_
produce the harmony, the sense of which is to so large an extent
innate in Italians. For these reasons I move that we adjourn."
"What!" cried a gentleman from the West, impatiently rising to his
feet, "are we here to dilate upon the advancement of music? What we
have to consider first of all is man
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