rent
and so bees in wax, bees and bees in wax.
What is cat is a cat and what is splendid is a mouse and what is driven
is a dog and what is curly is a cow.
A loss a whole loss is an irregular fancy and no result is more
announced than that which is no change. All the same there is boundless.
A top is on the tidy road no more than it was and what is more lasting.
Everything is most lasting.
A parlor, what is a parlor, a parlor is a cook. What is a cook a cook is
a cross between odor and perfume. What is an odor and what is perfume.
An odor is a singular glance and milk and lightning, a perfume is an
article and an expected space and even an authority. What is a singular
glance if it is that and wider, what is milk and there is that
altogether, what is lightning and there are no widows who are cleaner,
what is an article when there are regular festoons and what is an
expected space and what is more than the same which is actually to be
splendid. These are the signs that make reaching so necessary, they are
also the signs of an exceedingly pronounced tendency. Supposing no one
sees clearly that the end has not come. Supposing no one sees more
clearly ever. Does that mean that there is no regret, does that even
mean that the loudest resemblance is stolen by shoving. No more is
necessarily used in an individual recitation.
The pretext of a sack of no more than three yearly is not a sudden
resolution, it is not carried away by pay. Paying sweetly and paying
neatly is so like lounging and suspecting everybody where there is no
habit of black and lace.
What is the wonderful example of a discovery what is it. Is it in a pea
and clover, is it in the sighing of a house and the pleasant escape of a
sash. Is it more in the heavy notes and in the love of a hook, is it
really more in the dark and in patch work. Is it more in the hurry of a
sudden falling of a particular cat, what is it more in than in the rest
of renouncement, in what is it more. It is more in the water, it is more
in the tree, it is more in the house, it is more in the court and in the
hall and in the trifling heap of stones crossed early by anything
waiting.
Wait for the pound and a half of sauce, wait for the best oil and no
scarcity, wait for the paper spread to dry, wait for anything that is
not burning heavily. Wait and do not diminish a ribbon yard, wait and
select the same before, wait and see the best and love it through and
love it with a wid
|