, and she was furious at this ridiculous
interruption of her big scene. In the play Marie loses consciousness and
is found by a peasant, and it is on this occurrence that the rest of the
play hinges. The sudden appearance of the ham sandwich in response to
her cry for food was fatal to the pathos of the scene. The rest of the
cast, standing in the wings, saw what had happened and were at their
wits' end. But Gladys was equal to the occasion.
Moving her head wearily and passing her hand over her eyes she murmured
faintly but audibly, "Cruel, cruel mirage to taunt me thus! Vanish, thou
image of a fevered brain, thou absurd memory! Come not to mock me!" The
actors in the wings, taking their cue from her speech, found the string
to which the sandwich was tied and jerked it. The sandwich vanished from
the sight of the audience. The scene was saved. The spectators simply
passed it over as a more or less clumsy attempt to portray a vision of a
disordered brain. The string on the sandwich had been passed over
certain rigging above the stage that moved the scenery, and on through a
little ventilator that came out on the fourth floor, from which point
the manipulator had been able to listen to the speeches on the stage and
time the drop of the sandwich. By the time the Thessalonian boys had
traced the string to its end the perpetrator of the joke was nowhere to
be found. He had fled as soon as the thing had been lowered. The scene
ended without further calamity.
In the third scene--the one in the peasant's hut--there is a cat on the
stage. The presence of this cat was the signal for further trouble. In
one of the tense passages, where Marie Latour is pleading with the son
of the peasant to flee for his life before the agents of her father come
and capture them both, and the cat lies asleep on the hearth, there was
a sudden uproar, and a dog bounded through the entrance of the stage.
The cat rushed around in terror and finally ran up the curtain. The
lovers parted hastily and tried to capture the dog, but eluding their
pursuit he jumped over the footlights into the orchestra, landing with a
crash on the keys of the piano, and then out into the audience. Nyoda
and three or four of the Winnebagos, sitting together near the front on
the first floor of the auditorium, recognized the dog with a good deal
of surprise. It was Mr. Bob, Hinpoha's black cocker spaniel. How he had
gotten in was a mystery, for Hinpoha herself was not there.
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