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Project Gutenberg's Arsene Lupin, by Edgar Jepson and Maurice Leblanc This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: Arsene Lupin Author: Edgar Jepson Maurice Leblanc Posting Date: June 4, 2009 [EBook #4014] Release Date: May, 2003 First Posted: March 15, 2002 Language: English Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK ARSENE LUPIN *** Produced by Charles Franks and the Online Distributed Proofreading Team. HTML version by Al Haines. ARSENE LUPIN BY EDGAR JEPSON AND MAURICE LEBLANC Frontispiece by H. Richard Boehm CONTENTS I. THE MILLIONAIRE'S DAUGHTER II. THE COMING OF THE CHAROLAIS III. LUPIN'S WAY IV. THE DUKE INTERVENES V. A LETTER FROM LUPIN VI. AGAIN THE CHAROLAIS VII. THE THEFT OF THE MOTOR-CARS VIII. THE DUKE ARRIVES IX. M. FORMERY OPENS THE INQUIRY X. GUERCHARD ASSISTS XI. THE FAMILY ARRIVES XII. THE THEFT OF THE PENDANT XIII. LUPIN WIRES XIV. GUERCHARD PICKS UP THE TRUE SCENT XV. THE EXAMINATION OF SONIA XVI. VICTOIRE'S SLIP XVII. SONIA'S ESCAPE XVIII. THE DUKE STAYS XIX. THE DUKE GOES XX. LUPIN COMES HOME XXI. THE CUTTING OF THE TELEPHONE WIRES XII. THE BARGAIN XXIII. THE END OF THE DUEL ARSENE LUPIN CHAPTER I THE MILLIONAIRE'S DAUGHTER The rays of the September sun flooded the great halls of the old chateau of the Dukes of Charmerace, lighting up with their mellow glow the spoils of so many ages and many lands, jumbled together with the execrable taste which so often afflicts those whose only standard of value is money. The golden light warmed the panelled walls and old furniture to a dull lustre, and gave back to the fading gilt of the First Empire chairs and couches something of its old brightness. It illumined the long line of pictures on the walls, pictures of dead and gone Charmeraces, the stern or debonair faces of the men, soldiers, statesmen, dandies, the gentle or imperious faces of beautiful women. It flashed back from armour of brightly polished steel, and drew dull gleams from armour of bronze. The hues of rare porcelain, of the rich inlays of Oriental or Renaissanc
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