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irginia City, wrote him for something to use in his (Ward's) new book. Clemens sent the frog story, but he had been dilatory in preparing it, and when it reached New York, Carleton, the publisher, had Ward's book about ready for the press. It did not seem worth while to Carleton to include the frog story, and handed it over to Henry Clapp, editor of the Saturday Press--a perishing sheet-saying: "Here, Clapp, here's something you can use." The story appeared in the Saturday Press of November 18, 1865. According to the accounts of that time it set all New York in a roar, which annoyed, rather than gratified, its author. He had thought very little of it, indeed, yet had been wondering why some of his more highly regarded work had not found fuller recognition. But The Jumping Frog did not die. Papers printed it and reprinted it, and it was translated into foreign tongues. The name of "Mark Twain" became known as the author of that sketch, and the two were permanently associated from the day of its publication. Such fame as it brought did not yield heavy financial return. Its author continued to win a more or less precarious livelihood doing miscellaneous work, until March, 1866, when he was employed by the Sacramento Union to contribute a series of letters from the Sandwich Islands. They were notable letters, widely read and freely copied, and the sojourn there was a generally fortunate one. It was during his stay in the islands that the survivors of the wrecked vessel, the Hornet, came in, after long privation at sea. Clemens was sick at the time, but Anson Burlingame, who was in Honolulu, on the way to China, had him carried in a cot to the hospital, where he could interview the surviving sailors and take down their story. It proved a great "beat" for the Union, and added considerably to its author's prestige. On his return to San Francisco he contributed an article on the Hornet disaster to Harper's Magazine, and looked forward to its publication as a beginning of a real career. But, alas! when it appeared the printer and the proof-reader had somehow converted "Mark Twain" into "Mark Swain," and his dreams perished. Undecided as to his plans, he was one day advised by a friend to deliver a lecture. He was already known as an entertaining talker, and his adviser judged his possibilities well. In Roughing It we find the story of that first lecture and its success. He followed it with other lectures up and down t
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