Project Gutenberg's Fashions in Literature, by Charles Dudley Warner
This eBook is for the use of anyone anywhere at no cost and with
almost no restrictions whatsoever. You may copy it, give it away or
re-use it under the terms of the Project Gutenberg License included
with this eBook or online at www.gutenberg.net
Title: Fashions in Literature
Author: Charles Dudley Warner
Release Date: December 5, 2004 [EBook #3109]
Language: English
Character set encoding: ASCII
*** START OF THIS PROJECT GUTENBERG EBOOK FASHIONS IN LITERATURE ***
Produced by David Widger
FASHIONS IN LITERATURE
By Charles Dudley Warner
INTRODUCTION
Thirty years ago and more those who read and valued good books in this
country made the acquaintance of Mr. Warner, and since the publication of
"My Summer In a Garden" no work of his has needed any other introduction
than the presence of his name on the title-page; and now that reputation
has mellowed into memory, even the word of interpretation seems
superfluous. Mr. Warner wrote out of a clear, as well as a full mind, and
lucidity of style was part of that harmonious charm of sincerity and
urbanity which made him one of the most intelligible and companionable of
our writers.
It is a pleasure, however, to recall him as, not long ago, we saw him
move and heard him speak in the ripeness of years which brought him the
full flavor of maturity without any loss of freshness from his humor or
serenity from his thought. He shared with Lowell, Longfellow, and Curtis
a harmony of nature and art, a unity of ideal and achievement, which make
him a welcome figure, not only for what he said, but for what he was; one
of those friends whose coming is hailed with joy because they seem always
at their best, and minister to rather than draw upon our own capital of
moral vitality.
Mr. Warner was the most undogmatic of idealists, the most winning of
teachers. He had always some thing to say to the ethical sense, a word
for the conscience; but his approach was always through the mind, and his
enforcement of the moral lesson was by suggestion rather than by
commandment. There was nothing ascetic about him, no easy solution of the
difficulties of life by ignoring or evading them; nor, on the other hand,
was there any confusion of moral standards as the result of a confusion
of ideas touching the nature and functions of art. He saw clearly, he
felt deeply, and he thought stra
|