r, singled out one of his two and twenty followers, whom the
beast fondled as if he loved him better than a beef bone.

But, for all that, Eurylochus imagined that he saw something fierce and
savage in their eyes; nor would he have been surprised, at any moment,
to feel the big lion's terrible claws, or to see each of the tigers make
a deadly spring, or each wolf leap at the throat of the man whom he
had fondled. Their mildness seemed unreal, and a mere freak; but their
savage nature was as true as their teeth and claws.

Nevertheless, the men went safely across the lawn with the wild beasts
frisking about them, and doing no manner of harm; although, as they
mounted the steps of the palace, you might possibly have heard a low
growl, particularly from the wolves; as if they thought it a pity, after
all, to let the strangers pass without so much as tasting what they were
made of.

Eurylochus and his followers now passed under a lofty portal, and looked
through the open doorway into the interior of the palace. The first
thing that they saw was a spacious hall, and a fountain in the middle
of it, gushing up towards the ceiling out of a marble basin, and falling
back into it with a continual plash. The water of this fountain, as it
spouted upward, was constantly taking new shapes, not very distinctly,
but plainly enough for a nimble fancy to recognize what they were. Now
it was the shape of a man in a long robe, the fleecy whiteness of which
was made out of the fountain's spray; now it was a lion, or a tiger, or
a wolf, or an ass, or, as often as anything else, a hog, wallowing in
the marble basin as if it were his sty. It was either magic or some very
curious machinery that caused the gushing waterspout to assume all
these forms. But, before the strangers had time to look closely at
this wonderful sight, their attention was drawn off by a very sweet and
agreeable sound. A woman's voice was singing melodiously in another room
of the palace, and with her voice was mingled the noise of a loom, at
which she was probably seated, weaving a rich texture of cloth, and
intertwining the high and low sweetness of her voice into a rich tissue
of harmony.

By and by, the song came to an end; and then, all at once, there were
several feminine voices, talking airily and cheerfully, with now and
then a merry burst of laughter, such as you may always hear when three
or four young women sit at work together.

"What a sweet song that was