into the pail came through the hedge, and
then Angel felt inclined to go round the corner also, to finish off a
hard-yielding milcher who had strayed there, he being now as capable
of this as the dairyman himself.

All the men, and some of the women, when milking, dug their foreheads
into the cows and gazed into the pail. But a few--mainly the younger
ones--rested their heads sideways. This was Tess Durbeyfield's
habit, her temple pressing the milcher's flank, her eyes fixed on
the far end of the meadow with the quiet of one lost in meditation.
She was milking Old Pretty thus, and the sun chancing to be on the
milking-side, it shone flat upon her pink-gowned form and her white
curtain-bonnet, and upon her profile, rendering it keen as a cameo
cut from the dun background of the cow.

She did not know that Clare had followed her round, and that he sat
under his cow watching her. The stillness of her head and features
was remarkable: she might have been in a trance, her eyes open, yet
unseeing. Nothing in the picture moved but Old Pretty's tail and
Tess's pink hands, the latter so gently as to be a rhythmic pulsation
only, as if they were obeying a reflex stimulus, like a beating
heart.

How very lovable her face was to him. Yet there was nothing ethereal
about it; all was real vitality, real warmth, real incarnation. And
it was in her mouth that this culminated. Eyes almost as deep and
speaking he had seen before, and cheeks perhaps as fair; brows as
arched, a chin and throat almost as shapely; her mouth he had seen
nothing to equal on the face of the earth. To a young man with the
least fire in him that little upward lift in the middle of her red
top lip was distracting, infatuating, maddening. He had never before
seen a woman's lips and teeth which forced upon his mind with such
persistent iteration the old Elizabethan simile of roses filled with
snow. Perfect, he, as a lover, might have called them off-hand. But
no--they were not perfect. And it was the touch of the imperfect
upon the would-be perfect that gave the sweetness, because it was
that which gave the humanity.

Clare had studied the curves of those lips so many times that he
could reproduce them mentally with ease: and now, as they again
confronted him, clothed with colour and life, they sent an _aura_
over his flesh, a breeze through his nerves, which well nigh produced
a qualm; and actually produced, by some mysterious physiological
proces