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n it, had a picture painted for himself from the same cartoon by Jacopo, which he sent to Citta di Castello and caused to be placed in his house. It thus became evident in what estimation Michelagnolo held Pontormo, and with what diligence Pontormo carried to completion and executed excellently well the designs and cartoons of Michelagnolo, and Bartolommeo Bettini so went to work that Buonarroti, who was much his friend, made for him a cartoon of a nude Venus with a Cupid who is kissing her, in order that he might have it executed in painting by Pontormo and place it in the centre of a chamber of his own, in the lunettes of which he had begun to have painted by Bronzino figures of Dante, Petrarca, and Boccaccio, with the intention of having there all the other poets who have sung of love in Tuscan prose and verse. Jacopo, then, having received this cartoon, executed it to perfection at his leisure, as will be related, in the manner that all the world knows without my saying another word in praise of it. These designs of Michelagnolo's were the reason that Pontormo, considering the manner of that most noble craftsman, took heart of grace, and resolved that by hook or by crook he would imitate and follow it to the best of his ability. And then it was that Jacopo recognized how ill he had done to allow the work of Poggio a Caiano to slip through his hands, although he put the blame in great measure on a long and very troublesome illness that he had suffered, and finally on the death of Pope Clement, which brought that undertaking completely to an end. Jacopo having executed after the works described above a picture with the portrait from life of Amerigo Antinori, a young man much beloved in Florence at that time, and that portrait being much extolled by everyone, Duke Alessandro had him informed that he wished to have his portrait taken by him in a large picture. And Jacopo, for the sake of convenience, executed his portrait for the time being in a little picture of the size of a sheet of half-folio, and with such diligence and care, that the works of the miniaturists do not in any way come up to it; for the reason that, besides its being a very good likeness, there is in that head all that could be desired in the rarest of paintings. From that little picture, which is now in the guardaroba of Duke Cosimo, Jacopo afterwards made a portrait of the same Duke in a large picture, with a style in the hand, drawing the head of
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