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constituted life--what it was that made the "wonderful difference between the dead particles and the living particles of matter appearing in other respects identical." He thought there might be some bond between physico-chemical phenomena, on the one hand, and vital phenomena, on the other, which philosophers will some day find out. Living matter is characterized by "spontaneity of action," which is entirely absent from inert matter. Huxley cannot or does not think of a vital force distinct from all other forces, as the cause of life phenomena, as so many philosophers have done, from Aristotle down to our day. He finds protoplasm to be the physical basis of life; it is one in both the vegetable and animal worlds; the animal takes it from the vegetable, and the vegetable, by the aid of sunlight, takes or manufactures it from the inorganic elements. But protoplasm is living matter. Before there was any protoplasm, what brought about the stupendous change of the dead into the living? Protoplasm makes more protoplasm, as fire makes more fire, but what kindled the first spark of this living flame? Here we corner the mystery, but it is still a mystery that defies us. Cause and effect meet and are lost in each other. Science cannot admit a miracle, or a break in the continuity of life, yet here it reaches a point where no step can be taken. Huxley's illustrations do not help his argument. "Protoplasm," he says, "is the clay of the potter; which, bake it and paint it as he will, remains clay, separated by artifice, and not by nature, from the commonest brick or sun-dried clod." Clay is certainly the physical basis of the potter's art, but would there be any pottery in the world if it contained only clay? Do we not have to think of the potter? In the same way, do we not have to think of something that fashions these myriad forms of life out of protoplasm?--and back of that, of something that begat protoplasm out of non-protoplasmic matter, and started the flame of life going? Life accounts for protoplasm, but what accounts for life? We have to think of the living clay as separated by Nature from the inert "sun-dried clod." There is something in the one that is not in the other. There is really no authentic analogy between the potter's art and Nature's art of life. The force of the analogy, if it has any, drives us to the conclusion that life is an entity, or an agent, working upon matter and independent of it. There is more
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