FREE BOOKS

Author's List




PREV.   NEXT  
|<   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118  
119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   >>   >|  
he greater State, national or imperial, of which it now forms a constituent and organic part. And looming already on the horizon, the wars of races rise portentous, which will touch to purposes yet higher and more mystic the wars of empires--as these have greatened the wars of nationalities, these again the wars of feudal kings, of principalities, of cities, of tribes or clans. Secondly, this ideal of Imperial Britain will greaten and exalt the action of the soldier, hallowing the death on the battlefield with the attributes at once of the hero and the martyr. Thus, when M. Bloch and similar writers delineate war as robbed by modern inventions of its pomp and circumstance, when they expatiate upon the isolation resulting from a battle-line extended across leagues, and upon the "zone of death" separating the opposing hosts, one asks in perplexity, to what end does M. Bloch consider that war was waged in the past? For the sake of such emotional excitement or parade as are now by smokeless powder, maxims, long-range rifles, and machine guns abolished? These are but the trappings, the outward vesture of war; the cause, the sacred cause, is by this transformation in the methods of war all untouched. Was there then no "zone of death" between the armies at Eyiau or at Gravelotte? Let but the cause be high, and men will find means to cross that zone, now as then--by the sapper's art if by no other! And as the pride and ostentation of battle are effaced, its inner glory and dread sanctity are the more evinced. The battlefield is an altar; the sacrifice the most awful that the human eye can contemplate or the imagination with all its efforts invent. "The drum," says a French moralist, "is the music of battle, because it deadens thought." But in modern warfare the faculties are awake. Solitude is the touchstone of valour, and the modern soldier cast in upon himself, undazzled, unblinded, faces death singly. Fighting for ideal ends, he dies for men and things that are not yet; he dies, knowing in his heart that they may never be at all. Courage and self-renunciation have attained their height. Nor have strategy and the mechanical appliances of modern warfare turned the soldier into a machine, an automaton, devoid of will and self-directing energy. Contemporary history makes it daily clearer that in modern battles brain and nerve count as heavily as they ever did in the combats by the Scamander or the Simois. Anothe
PREV.   NEXT  
|<   94   95   96   97   98   99   100   101   102   103   104   105   106   107   108   109   110   111   112   113   114   115   116   117   118  
119   120   121   122   123   124   125   126   127   128   129   130   131   132   133   134   135   136   137   138   139   140   141   142   143   >>   >|  



Top keywords:
modern
 

soldier

 

battle

 
battlefield
 

machine

 

warfare

 
sacrifice
 

sanctity

 

evinced

 
French

moralist

 

invent

 

efforts

 
contemplate
 
imagination
 

sapper

 

combats

 

Scamander

 
Anothe
 

Simois


effaced

 

battles

 

heavily

 

ostentation

 

knowing

 

turned

 

things

 

devoid

 

automaton

 

appliances


mechanical

 

Courage

 
height
 

renunciation

 

strategy

 
Fighting
 

directing

 

faculties

 

Solitude

 

clearer


attained

 

deadens

 
thought
 

touchstone

 

valour

 
unblinded
 

energy

 
singly
 
undazzled
 
Contemporary