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indred chords in them, opening, in harmonious echoes, that marvellous kingdom from whence those tones come darting, like beams of light? To set to work to make music by means of valves, springs, levers, cylinders, or whatever other apparatus you choose to employ, is a senseless attempt to make the means to an end accomplish what can result only when those means are animated and, in their minutest movements, controlled by the mind, the soul, and the heart. The gravest reproach you can make to a musician is that he plays without expression; because, by so doing, he is marring the whole essence of the matter. Yet the coldest and most unfeeling executant will always be far in advance of the most perfect of machines. For it is impossible that no impulse whatever, from the inner man shall ever, even for a moment, animate his rendering; whereas, in the case of a machine, no such impulse can ever do so. The attempts of mechanicians to imitate, with more or less approximation to accuracy, the human organs in the production of musical sounds, or to substitute mechanical appliances for those organs, I consider tantamount to a declaration of war against the spiritual element in music; but the greater the forces they array against it, the more victorious it is. For this very reason, the more perfect that this sort of machinery is, the more I disapprove of it; and I infinitely prefer the commonest barrel-organ, in which the mechanism attempts nothing but to be mechanical, to Vaucauson's flute-player, or the harmonica girl. "'"I entirely agree with you," said Ferdinand, "and indeed you have merely put into words what I have always thought; and I was much struck with it to-day at the Professor's. Although I do not so wholly live and move and have my being in music as you do, and consequently am not so sensitively alive to imperfections in it, I, too, have always felt a repugnance to the stiffness and lifelessness of machine-music; and, I can remember, when I was a child at home, how I detested a large, ordinary musical clock, which played its little tune every hour. It is a pity that those skilful mechanicians do not try to apply their knowledge to the improvement of musical instruments, rather than to puerilities of this sort." "'"Exactly," said Lewis. "Now, in the case of instruments of the keyboard class a great deal might be done. There is a wide field open in that direction to clever mechanical people, much as has been accompl
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