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ife. He had been passionate but never sensual, romantic and primal, but never immoral. He had consoled thousands for the penance of living, and he had written much that would perish only with the English language. All this might be as nothing to what strove for delivery now. And this he was desperately engaged in stifling to death; and not the beauty of his mind alone but of his nature, for beyond all doubt his gentleness and sweetness and refinement were as much a part of his genius as irritability and violence were fellows to the genius of other men. Anne was tempted to wish that he had died before she met him, taken body and unmaimed gifts out of life before she was burdened with their keep. But she was a strong women and the wish passed. The wild ebullition of self had gone before. She did not recall her promises to Hunsdon but she remembered her solemn acknowledgment of her responsibilities the night before her marriage and her silent vows at the altar. Suddenly she became aware that she was soaked to the skin. She went hastily within and changed her clothes, wrung out her hair and twisted it up. Then she went to the library and opened the door softly. Warner was sitting at the table with his face pressed to the wood, his arms flung outward among the scattered white blank sheets. Anne longed to go forward and take his head into the shelter of her deep maternal bosom. But it was not the time for sentiment, maternal or connubial. To reach his plane and solve his problem she must leave her sex behind her, and treat him as a man and a comrade. She left the room, and returning a moment later placed the decanter of brandy and a tumbler on the table beside him. Then she left the room again. * * * * * Transcriber's note: Minor changes have been made to correct obvious typesetter errors; otherwise, every effort has been made to remain true to the author's words and intent. ***END OF THE PROJECT GUTENBERG EBOOK THE GORGEOUS ISLE*** ******* This file should be named 30502.txt or 30502.zip ******* This and all associated files of various formats will be found in: http://www.gutenberg.org/dirs/3/0/5/0/30502 Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!) can copy and distri
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