re did it appear
impertinent, having taken this mass of knowledge which he had not got, to
extract from it a golden mean man, in order to supply him with what he
wanted. And yet this was what every artist did who justified his
existence--or it would not have been so stated in a newspaper. And he
gaped up at the lofty ceiling, as if he might perchance see the Public
flying up there in the faint bluish mist of smoke. And suddenly he
thought: "Suppose, by some miracle, my golden-mean bird came flying to me
with its beak open for the food with which it is my duty to supply
it--would it after all be such a very strange-looking creature; would it
not be extremely like my normal self? Am I not, in fact, myself the
Public? For, without the strongest and most reprehensible conceit, can I
claim for my normal self a single attribute or quality not possessed by
an hypothetical average human being? Yes, I am myself the Public; or at
all events all that my consciousness can ever know of it for certain."
And he began to consider deeply. For sitting there in cold blood, with
his nerves at rest, and his brain and senses normal, the play he had
written did seem to him to put an unnecessary strain upon the faculties.
"Ah!" he thought, "in future I must take good care never to write
anything except in cold blood, with my nerves well clothed, and my brain
and senses quiet. I ought only to write when I feel as normal as I do
now." And for some minutes he remained motionless, looking at his boots.
Then there crept into his mind an uncomfortable thought. "But have I
ever written anything without feeling a little-abnormal, at the time?
Have I ever even felt inclined to write anything, until my emotions had
been unduly excited, my brain immoderately stirred, my senses unusually
quickened, or my spirit extravagantly roused? Never! Alas, never! I am
then a miserable renegade, false to the whole purpose of my being--nor do
I see the slightest hope of becoming a better man, a less unworthy
artist! For I literally cannot write without the stimulus of some
feeling exaggerated at the expense of other feelings. What has been in
the past will be in the future: I shall never be taking up my pen when I
feel my comfortable and normal self never be satisfying that self which
is the Public!" And he thought: "I am lost. For, to satisfy that normal
self, to give the Public what it wants, is, I am told, and therefore must
believe, what all artists