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d worried Johnson, was the deciding straw: _To My Son Robert, About That Theatrical Venture_ "When a man who knows nothing of the business backs a show, there's usually a woman at the bottom of it--and that kind of woman is mostly rank poison to a normal man, even if she is a good woman. No butterfly ever goes back into its chrysalis and becomes a grub again. Let birds of a feather flock together, Bobby." That unfortunate missive, for once shooting so wide the mark, pushed Bobby over the edge. There was a streak of stubbornness in him which, well developed and turned into proper channels, was likely to be very valuable, but until he learned to use that stubbornness in the right way it bade fair to plunge him into more difficulties than he could extricate himself from with profit. Even Agnes, reading that note, indignantly agreed with Bobby that he was being unjustly misread. "It is absurd," he explained to her. "This is the first dividend-paying investment I have been able to make so far, and I'm going to keep it up just as long as I can make money out of it. I'd be very foolish if I didn't. Besides, this is just a little in-between flyer, while I'm conservatively waiting for a good, legitimate opening. It can take, at most, but a very small part of my two hundred and fifty thousand." Agnes, though defending him against his father, was still reluctant about the trip, but suddenly, with a curious smile, she withdrew all objections and even urged him to go ahead. "Bobby," said she, still with that curious smile and strangely shining eyes, and putting both her hands upon his shoulders, "I see that you must go ahead with this. I--I guess it will be good for you. Somehow, I think that this is to be your last folly, that you are really learning that the world is not all polo and honor-bets. So go ahead--and I'll wait here." He could not know how much that hurt her. He only knew, after she had talked more lightly of his trip, that he had her full and free consent, and, highly elated with his first successful business venture, he took up the contracts of the Neapolitan Grand Opera Company where Signor Matteo, the decamped manager and producer, had dropped them. The members of the company having attached the scenery and effects for back salaries, sold them to Bobby for ten thousand dollars, and he immediately found himself confronted by demands for settlements, with the alternative of
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