impression!

Similarly the Touchstone of Sidney Greenstreet. We are accustomed to
more physically attractive Touchstones, fools with finer bodies, and
yet this keen-minded, stout person spoke his lines with such pertness
and spontaneity that they rarely failed of their proper effect. As for
Orlando, it seemed to me that Pedro de Cordoba was a little too
rhetorical at times to fit in with the spirit of the performance, but
Orlando at times does not fit into the play. For instance, when he
utters those incredible lines:

"If ever you have looked on better days,
If ever been where bells have knolled to church,
If ever sat at any good man's feast,
If ever from your eyelids wiped a tear...."

I do not know whether Miss Anglin is a disciple of George Moore or
William Winter in her acting of Rosalind. How she acquired her charm
is not for us to seek into. It is only for us to credit her with
having it in great plenty. A charming natural manner which made the
masquerading lady seem more than a fantasy. Her warning to Phebe,

"Sell when you can; you are not for all markets,"

was delicious in its effect. I remember no Rosalind who wooed her
Orlando so delightfully. For Rosalind, as Woman the Pursuer, driven
forward by the Life Force, is convincingly Miss Anglin's conception--a
conception which fits the comedy admirably.

As to the objections which have been raised to Miss Anglin's
assumption of the masculine garments without any attempt at
counterfeiting masculinity, I would ask my reader, if she be a woman,
what she would do if she found it necessary to wear men's clothes. If
she were not an actress she would undoubtedly behave much as she did
in women's, suppressing unnecessary and telltale gestures as much as
possible, but not trying to imitate mannish gestures which would
immediately stamp her an impostor. There is no internal evidence in
Shakespeare's play to prove that Rosalind was an actress. She might
have appeared in private theatricals at the palace, but even that is
doubtful. Consequently when she donned men's clothes it became evident
to her that many men are effeminate in gesture and those that are do
not ordinarily affect mannish movements. Her most obvious concealment
was to be natural--quite herself. This, I think, is one of the most
interesting and well-thought-out points of Miss Anglin's
interpretation.

_March 20, 1914._

The Modern Composers at a Glance

The Modern C