hing. I
can start you in a paragraph that will travel through all the newspapers,
from Maine to Texas and from Alaska to Florida. We have had all sorts of
rich men backing up literary enterprises, but the natural-gas man in
literature is a new thing, and the combination of your picturesque past
and your aesthetic present is something that will knock out the
sympathies of the American public the first round. I feel," said
Fulkerson, with a tremor of pathos in his voice, "that 'Every Other Week'
is at a disadvantage before the public as long as it's supposed to be my
enterprise, my idea. As far as I'm known at all, I'm known simply as a
syndicate man, and nobody in the press believes that I've got the money
to run the thing on a grand scale; a suspicion of insolvency must attach
to it sooner or later, and the fellows on the press will work up that
impression, sooner or later, if we don't give them something else to work
up. Now, as soon as I begin to give it away to the correspondents that
you're in it, with your untold millions--that, in fact, it was your idea
from the start, that you originated it to give full play to the
humanitarian tendencies of Conrad here, who's always had these theories
of co-operation, and longed to realize them for the benefit of our
struggling young writers and artists--"

March had listened with growing amusement to the mingled burlesque and
earnest of Fulkerson's self-sacrificing impudence, and with wonder as to
how far Dryfoos was consenting to his preposterous proposition, when
Conrad broke out: "Mr. Fulkerson, I could not allow you to do that. It
would not be true; I did not wish to be here; and--and what I think--what
I wish to do--that is something I will not let any one put me in a false
position about. No!" The blood rushed into the young man's gentle face,
and he met his father's glance with defiance.

Dryfoos turned from him to Fulkerson without speaking, and Fulkerson
said, caressingly: "Why, of course, Coonrod! I know how you feel, and I
shouldn't let anything of that sort go out uncontradicted afterward. But
there isn't anything in these times that would give us better standing
with the public than some hint of the way you feel about such things. The
publics expects to be interested, and nothing would interest it more than
to be told that the success of 'Every Other Week' sprang from the first
application of the principle of Live and let Live to a literary
enterprise. It would lo