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. MARCH, 1948: Series III, No. 4--Essays on the Stage, selected, with an Introduction by Joseph Wood Krutch. The list of publications is subject to modification in response to requests by members. From time to time Bibliographical Notes will be included in the issues. Each issue contains an Introduction by a scholar of special competence in the field represented. The Augustan Reprints are available only to members. They will never be offered at "remainder" prices. _GENERAL EDITORS_ RICHARD C. BOYS, _University of Michigan_ EDWARD NILES HOOKER, _University of California, Los Angeles_ H.T. SWEDENBERG, JR., _University of California, Los Angeles_ _ADVISORY EDITORS_ EMMETT L. AVERY, _State College of Washington_ LOUIS I. BREDVOLD, _University of Michigan_ BENJAMIN BOYCE, _University of Nebraska_ CLEANTH BROOKS, _Louisiana State University_ JAMES L. CLIFFORD, _Columbia University_ ARTHUR FRIEDMAN, _University of Chicago_ SAMUEL H. MONK, _University of Minnesota_ JAMES SUTHERLAND, _Queen Mary College, London_ * * * * * Address communications to any of the General Editors. Applications for membership, together with membership fee, should be sent to THE AUGUSTAN REPRINT SOCIETY 310 ROYCE HALL, UNIVERSITY OF CALIFORNIA LOS ANGELES 24, CALIFORNIA or _Care of_ PROFESSOR RICHARD C. BOYS ANGELL HALL, UNIVERSITY OF MICHIGAN ANN ARBOR, MICHIGAN * * * * * Please enroll me as a member of the Augustan Reprint Society. I enclose {$2.50 } as the membership fee for } the second year. { 5.00 } } the first and second year. NAME Address * * * * * End of the Project Gutenberg EBook of Some Account of the Life of Mr. William Shakespear (1709), by Nicholas Rowe *** END OF THIS PROJECT GUTENBERG EBOOK MR. WILLIAM SHAKESPEAR *** ***** This file should be named 16275.txt or 16275.zip ***** This and all associated files of various formats will be found in: http://www.gutenberg.org/1/6/2/7/16275/ Produced by David Starner, Louise Pryor and the Online Distributed Proofreading Team at http://www.pgdp.net Updated editions will replace the previous one--the old editions will be renamed. Creating the works from public domain print editions means that no one owns a United States copyright in these works, so the Foundation (and you!
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