le"
and the "Legend of Sleepy Hollow;" that is to say by the use of the
Dutch material, and the elaboration of the "Knickerbocker Legend," which
was the great achievement of Irving's life. This was broadened and
deepened and illustrated by the several stories of the "Money Diggers,"
of "Wolfert Webber" and "Kidd the Pirate," in "The Tales of a
Traveller," and by "Dolph Heyliger" in "Bracebridge Hall." Irving was
never more successful than in painting the Dutch manners and habits of
the early time, and he returned again and again to the task until he not
only made the shores of the Hudson and the islands of New York harbor
and the East River classic ground, but until his conception of Dutch
life in the New World had assumed historical solidity and become a
tradition of the highest poetic value. If in the multiplicity of books
and the change of taste the bulk of Irving's works shall go out of
print, a volume made up of his Knickerbocker history and the legends
relating to the region of New York and the Hudson would survive as long
as anything that has been produced in this country.

The philosophical student of the origin of New World society may find
food for reflection in the "materiality" of the basis of the
civilization of New York. The picture of abundance and of enjoyment of
animal life is perhaps not overdrawn in Irving's sketch of the home of
the Van Tassels, in "The Legend of Sleepy Hollow." It is all the extract
we can make room for from that careful study:--

"Among the musical disciples who assembled, one evening in each
week, to receive his instructions in psalmody, was Katrina Van
Tassel, the daughter and only child of a substantial Dutch farmer.
She was a blooming lass of fresh eighteen; plump as a partridge;
ripe and melting and rosy-cheeked as one of her father's peaches,
and universally famed, not merely for her beauty, but her vast
expectations. She was, withal, a little of a coquette, as might be
perceived even in her dress, which was a mixture of ancient and
modern fashions, as most suited to set off her charms. She wore the
ornaments of pure yellow gold which her great-great-grandmother had
brought over from Saardam; the tempting stomacher of the olden
time; and withal a provokingly short petticoat, to display the
prettiest foot and ankle in the country round.

"Ichabod Crane had a soft and foolish heart towards the sex; and it