gly responded
to the resounding blows of the hammer. Long and eagerly he worked,
admitting no one. At last, one morning, he announced that the work was
ready, and gave instructions that all his friends, and the severe
critics and judges of art, be called together. Then he donned gorgeous
garments, shining with gold, glowing with the purple of the byssin.
"Here is what I have created," he said thoughtfully.
His friends looked, and immediately the shadow of deep sorrow covered
their faces. It was a thing monstrous, possessing none of the forms
familiar to the eye, yet not devoid of a hint of some new unknown
form. On a thin tortuous little branch, or rather an ugly likeness of
one, lay crooked, strange, unsightly, shapeless heaps of something
turned outside in, or something turned inside out--wild fragments
which seemed to be feebly trying to get away from themselves. And,
accidentally, under one of the wild projections, they noticed a
wonderfully sculptured butterfly, with transparent wings, trembling as
though with a weak longing to fly.
"Why that wonderful butterfly, Aurelius?" timidly asked some one.
"I do not know," answered the sculptor.
The truth had to be told, and one of his friends, the one who loved
Aurelius best, said: "This is ugly, my poor friend. It must be
destroyed. Give me the hammer." And with two blows he destroyed the
monstrous mass, leaving only the wonderfully sculptured butterfly.
After that Aurelius created nothing. He looked with absolute
indifference at marble and at bronze and at his own divine creations,
in which dwelt immortal beauty. In the hope of breathing into him once
again the old flame of inspiration, with the idea of awakening his
dead soul, his friends led him to see the beautiful creations of
others, but he remained indifferent and no smile warmed his closed
lips. And only after they spoke to him much and long of beauty, he
would reply wearily:
"But all this is--a lie."
And in the daytime, when the sun was shining, he would go into his
rich and beautifully laid-out garden, and finding a place where there
was no shadow, would expose his bare head and his dull eyes to the
glitter and burning heat of the sun. Red and white butterflies
fluttered around; down into the marble cistern ran splashing water
from the crooked mouth of a blissfully drunken Satyr; but he sat
motionless, like a pale shadow of that other one who, in a far land,
at the very gates of the stony deser
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