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The Project Gutenberg eBook, J. S. Le Fanu's Ghostly Tales, Volume 1, by Joseph Sheridan Le Fanu This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: J. S. Le Fanu's Ghostly Tales, Volume 1 Author: Joseph Sheridan Le Fanu Release Date: March 24, 2004 [eBook #11699] Language: English Character set encoding: US-ASCII ***START OF THE PROJECT GUTENBERG EBOOK J. S. LE FANU'S GHOSTLY TALES, VOLUME 1*** E-text prepared by Suzanne Shell, Andrea Ball, and the Project Gutenberg Online Distributed Proofreading Team J. S. LE FANU'S GHOSTLY TALES, VOLUME 1 Schalken the Painter (1851) and An Account of Some Strange Disturbances in Aungier Street (1853) by Joseph Sheridan Le Fanu Schalken the Painter _"For he is not a man as I am that we should come together; neither is there any that might lay his hand upon us both. Let him, therefore, take his rod away from me, and let not his fear terrify me."_ There exists, at this moment, in good preservation a remarkable work of Schalken's. The curious management of its lights constitutes, as usual in his pieces, the chief apparent merit of the picture. I say _apparent_, for in its subject, and not in its handling, however exquisite, consists its real value. The picture represents the interior of what might be a chamber in some antique religious building; and its foreground is occupied by a female figure, in a species of white robe, part of which is arranged so as to form a veil. The dress, however, is not that of any religious order. In her hand the figure bears a lamp, by which alone her figure and face are illuminated; and her features wear such an arch smile, as well becomes a pretty woman when practising some prankish roguery; in the background, and, excepting where the dim red light of an expiring fire serves to define the form, in total shadow, stands the figure of a man dressed in the old Flemish fashion, in an attitude of alarm, his hand being placed upon the hilt of his sword, which he appears to be in the act of drawing. There are some pictures, which impress one, I know not how, with a conviction that they represent not the mere ideal shapes and combinations which have floated thr
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