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eve of his departure, had ordered Euphormio to ride post before him, and prepare the inhabitants of the districts through which he was to pass for his arrival. While Euphormio is on the horseblock in the act of mounting his steed, a rustic brings him a letter from Fibullius, and in conversation gives him such an account of his bride as forces upon him the reflection, that even the grim Libitina would be preferable, as a bride, to so confirmed a Thais, so fruitful a partner, as the _protegee_ of Fibullius would be likely to prove. But, as these _notes_ have, in spite of all my attempts at condensation, already grown to a most formidable size, I will not indulge in any moral reflections; but conclude by _querying_ you, or any of your readers, to inform me whether the personages mentioned in the _Euphorm. Lus. Satyricon_, such as Callion, Pereas, Fibullius, &c., are real characters or not? as, in the former case, I am inclined to think that the work might throw some interesting lights on the private manners and characters of some of the courtiers of the day. "No scandal against any of the maids of honour"--of course. The phrase "_To the halves_" (in the quotation from Burton) means, inadequate, insufficient; we still talk of "half and half" measures. Montanus inveighs against such "perturbations, that purge _to the halves_, tire nature, and molest the body to no purpose."--Burton, _Anat. of Mel._, part. ii. sect. 2. mem. 4. subsect. 6. MELANION. [The work referred to by our correspondent was written by Barclay, better known as the author of the _Argenis_. The First Part of the _Satyricon_, dedicated to James the First, was published, London, 12mo. 1603; and with the addition of the 2nd Part, Paris, 1605. The best edition of the work (which, really in two parts, is made, by the addition of the _Apologia Euphormionis_, &c. sometimes into five) is said to be the Elzevir 12mo., 1637. There are two editions of it _cum notis variorum_, Leyden, 1667 and 1669, 8vo., in two volumes. Of some of the editions (as that of 1623, 12mo.) it is said, "adjecta Clavi sive obscurorum et quasi aenigmaticorum nominum, in hoc Opere passim occurrentium, dilucida explicatione." The _Satyricon_ was twice translated into French; and its literary history, and that of the _Censura Euphormionis_, and other tracts, which it called forth, might furnish a curious and amusing paper.] * * * * * SERMONES SANCTI CAROLI
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