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begin to reach the end of the beauties in it. Each time we reread we see new beauties, we feel new thrills. Over his keys the musing organist, Beginning doubtfully and far away, First lets his fingers wander as they list, And builds a bridge from Dreamland for his lay; Then, as the touch of his loved instrument Gives hope and fervor, nearer draws his theme, First guessed by faint auroral flashes sent Along the wavering vista of his dream. The first time you read this passage it may mean little to you; but as you read again and again you gradually picture in your mind a grand cathedral, just filling with people for the morning worship. The organist begins with a few light notes, fanciful, merely suggestive; then louder and louder swells the strain; the music begins to bring up before your mind pictures of waterfalls, cities, men and women with passionate hearts; at last, in the grand flood of the music, you forget yourself, the world around you, the church, the thronging congregation, everything. After this pretty and suggestive prelude, describing the musician, we read such passages as this, which suggest the theme as by a "faint auroral flash": And what is so rare as a day in June? Then, if ever, come perfect days; Then Heaven tries earth if it be in tune, And over it softly her warm ear lays. A little farther along the music seems to broaden and deepen: Now is the high-tide of the year, And whatever of life hath ebbed away Comes flooding back with a ripply cheer, Into every bare inlet and creek and bay; Now the heart is so full that a drop overfills it, We are happy now because God wills it. You must read the rest of the poem for yourself, ever remembering that to read poetry so that you understand it and love it means that you yourself are a poet at heart; and if you come to love a great poem you may be proud of your achievement. CHAPTER XI PROFESSOR, EDITOR, AND DIPLOMAT There was a touching and very warm affection between Longfellow and Lowell. Mrs. Lowell says of it, "I have never seen such a beautiful friendship between men of such distinct personalities, though closely linked together by mutual tastes and affections. They criticise and praise each other's performances with frankness not to be surpassed, and seem to have attained that happy height of faith where no misunderstanding, no jealousy, no reserve exists." Often i
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