t tried to stop him would get a shirt full of sore
bones!

Thomas went home full of the plan to get back at the invaders!
Rummaging through his trunk, he found, carefully wrapped with chewing
tobacco and ground cedar, to keep the moths away, the regalia that he
had worn, proudly and defiantly, once in Montreal, when the crowd that
obstructed the triumphal march of the Orange Young Britons had to be
dispersed by the "melitia." It was a glorious day, and one to be
remembered with pride, for there had been shots fired and heads
smashed.

His man, a guileless young Englishman, came in from mowing, gaily
whistling the refrain the Yankee band had been playing at intervals all
afternoon. It was "Dixie Land," and at first Thomas did not notice it.
Rousing at last to the sinister significance of the tune, he ordered
its cessation, in rosy-hued terms, and commended all such Yankee tunes
and those that whistled them to that region where popular rumor has it
that pots boil with or without watching.

Thomas Shouldice had lived by himself for a number of years. It was
supposed that he had a wife living somewhere in "the States," which
term to many Canadians indicates a shadowy region where bad boys,
unfaithful wives and absconding embezzlers find refuge and dwell in dim
security.

Thomas's devotion to the Orange Order was nothing short of a passion.
He believed that but for its institution and perpetuation Protestant
blood would flow like water. He always spoke of the "Stuarts" in an
undertone, as if he were afraid they might even yet come back and make
"rough house" for King Edward.

There were only two Catholic families in the neighborhood, and
peaceable, friendly people they were, too; but Thomas believed they
should be intimidated to prevent trouble. "The old spite is in them,"
he told himself, "and nothing will show them where they stand like a
'walk.'"

The next day Thomas left his haying and rounded up the faithful. There
were seven members of the order in the community, all of whom were
willing to stand for their country's honor. There was James Shewfelt,
who was a drummer, and could play the tunes without the fife at all.
There was John Barker, who did a musical turn in the form of a twenty-
three verse ballad beginning:

"When Popery did flourish in
Dear Ireland o'er the sea,
There came a man from Amsterdam
To set ould Ireland free!
To set ould Ireland free, boys,
To set ould Ireland free,--