enter. The room is one of the gayest in the whole museum, with its rich
reds and bright yellows, greens, and blues.

KITCHEN OF THE HOUSE OF THE VETTII.

In this house the cook must have been in the kitchen, just ready to go
to work when he had to flee. He left the pot on a tripod on a bed of
coals, ready for use. You can see an arched opening underneath the
fireplace. This was where the cook kept his fuel. The small size of
the kitchens shows that the Pompeians were not great gluttons.

KITCHEN UTENSILS.

These kettles and frying pans and ladles are made of bronze, an alloy of
copper and tin. They look very much like our kitchen furnishings.

CENTAUR CUP.

Some rich Pompeian had a pair of beautiful silver cups with graceful
handles. The design was made in hammered silver, and showed centaurs
talking to cupids that are sitting on their backs. A centaur was half
man, half horse.

THE HOUSE OF THE TRAGIC POET (restored).

From the ruins and from ancient books, men know almost all the rooms of
a Pompeian house. So they have pictured this one as it was before the
disaster, with its many beautiful wall paintings, its mosaic floors, its
tiled roofs. If you can imagine these two halves fitted together, and
yourself inside, you can visit one of the most attractive houses in
Pompeii. Do you see how the tiled roof slants downward from four sides
to a rectangular opening in the highest part of the house? Below this
opening was a shallow basin into which the rainwater fell. This basin
was in the center of the atrium, the most important room in the house.
The walls of this room were painted with scenes from the Trojan war.
This is the house which has the mosaic picture of a dog on the floor of
the long entrance hall (see next page). On each side of the hall, facing
the street, are large rooms for shops, where, doubtless, the owner
conducted his business. He was not a "Tragic Poet." Some people think he
was a goldsmith. On each side of the atrium were sleeping rooms. Can you
see that the doors are very high with a grating at the top to let in
light and air? Windows were few and small, and generally the rooms took
light and air from the inside courts rather than from outside. Back of
the atrium was a large reception room with bedrooms on each side. And
back of this was a large open court, or garden, with a colonnade on
three sides and a solid wall at the back. Opening on this garden was a
large dining room with beauti