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those years than now), she felt no doubt that when the clouds marshalled across his clear vision from the minds of others had been withdrawn, he would once more behold the Sun of Righteousness as she did. Gabriella as by intuition reasoned that a good life most often leads to a belief in the Divine Goodness; that as we understand in others only what we are in ourselves, so it is the highest elements of humanity that must be relied upon to believe in the Most High: and of David's lofty nature she possessed the whole history of his life as evidence. Her last act, then, the night before had been, in her nightgown, on her knees, to offer up a prayer that he might be saved from the influences of false teachers and guided back to the only Great One. But when a girl, with all the feelings which belong to her at that hour, seeks this pure audience and sends upward the name of a man on her spotless prayers, he is already a sacred happiness to her as well as a care. On this day she was radiant with tender happiness. The snow of itself was exhilarating. It spread around her an enchanted land. It buried out of sight in the yard and stable lots all mire, all ugly things. This ennoblement of eternal objects reacted with comic effect on the interior of the house itself; outside it was a marble palace, surrounded by statuary; within--alas! It provoked her humor, that innocent fun-making which many a time had rendered her environment the more tolerable. When she went down into the parlor early that evening to await David's coming, this gayety, this laughter of the generations of men and women who made up her past, possessed her still. She made a fresh investigation of the parlor, took a new estimate of its peculiar furnishings. The hearthstones--lead color. The mohair furniture--cold at all temperatures of the room and slippery in every position of the body. The little marble-top table on which rested a glass case holding a stuffed blue jay clutching a varnished limb: tail and eyes stretched beyond the reach of muscles. Near the door an enormous shell which, on summer days, the cook blew as a dinner horn for the hands in the field. A collection of ambrotypes which, no matter how held, always caused the sitter to look as though the sun was shining in his eyes. The violence of the Brussels carpet. But the cheap family portraits in thin wooden frames--these were Gabriella's delight in a mood like this. The first time she saw these
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