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s better; but the local doctor was with him, and much light was expected from this gentleman's consultation with Sir Matthew Hope. "I suppose you two ladies have made acquaintance," she pursued. "If you haven't I recommend you to do so; for so long as we continue--Ralph and I--to cluster about Mr. Touchett's bed you're not likely to have much society but each other." "I know nothing about you but that you're a great musician," Isabel said to the visitor. "There's a good deal more than that to know," Mrs. Touchett affirmed in her little dry tone. "A very little of it, I am sure, will content Miss Archer!" the lady exclaimed with a light laugh. "I'm an old friend of your aunt's. I've lived much in Florence. I'm Madame Merle." She made this last announcement as if she were referring to a person of tolerably distinct identity. For Isabel, however, it represented little; she could only continue to feel that Madame Merle had as charming a manner as any she had ever encountered. "She's not a foreigner in spite of her name," said Mrs. Touchett. "She was born--I always forget where you were born." "It's hardly worth while then I should tell you." "On the contrary," said Mrs. Touchett, who rarely missed a logical point; "if I remembered your telling me would be quite superfluous." Madame Merle glanced at Isabel with a sort of world-wide smile, a thing that over-reached frontiers. "I was born under the shadow of the national banner." "She's too fond of mystery," said Mrs. Touchett; "that's her great fault." "Ah," exclaimed Madame Merle, "I've great faults, but I don't think that's one of then; it certainly isn't the greatest. I came into the world in the Brooklyn navy-yard. My father was a high officer in the United States Navy, and had a post--a post of responsibility--in that establishment at the time. I suppose I ought to love the sea, but I hate it. That's why I don't return to America. I love the land; the great thing is to love something." Isabel, as a dispassionate witness, had not been struck with the force of Mrs. Touchett's characterisation of her visitor, who had an expressive, communicative, responsive face, by no means of the sort which, to Isabel's mind, suggested a secretive disposition. It was a face that told of an amplitude of nature and of quick and free motions and, though it had no regular beauty, was in the highest degree engaging and attaching. Madame Merle was a tall, fair, smoot
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