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yellow lines and red patches; the paleness of her cheeks seemed every now and then to turn green. Hoping to hide her despair from her sisters, she would laugh as she pointed out some ridiculous dress or passer-by; but her laughter was spasmodic. She was more deeply hurt by their unspoken compassion than by any satirical comments for which she might have revenged herself. She exhausted her wit in trying to engage them in a conversation, in which she tried to expend her fury in senseless paradoxes, heaping on all men engaged in trade the bitterest insults and witticisms in the worst taste. On getting home, she had an attack of fever, which at first assumed a somewhat serious character. By the end of a month the care of her parents and of the physician restored her to her family. Every one hoped that this lesson would be severe enough to subdue Emilie's nature; but she insensibly fell into her old habits and threw herself again into the world of fashion. She declared that there was no disgrace in making a mistake. If she, like her father, had a vote in the Chamber, she would move for an edict, she said, by which all merchants, and especially dealers in calico, should be branded on the forehead, like Berri sheep, down to the third generation. She wished that none but nobles should have the right to wear the antique French costume, which was so becoming to the courtiers of Louis XV. To hear her, it was a misfortune for France, perhaps, that there was no outward and visible difference between a merchant and a peer of France. And a hundred more such pleasantries, easy to imagine, were rapidly poured out when any accident brought up the subject. But those who loved Emilie could see through all her banter a tinge of melancholy. It was clear that Maximilien Longueville still reigned over that inexorable heart. Sometimes she would be as gentle as she had been during the brief summer that had seen the birth of her love; sometimes, again, she was unendurable. Every one made excuses for her inequality of temper, which had its source in sufferings at once secret and known to all. The Comte de Kergarouet had some influence over her, thanks to his increased prodigality, a kind of consolation which rarely fails of its effect on a Parisian girl. The first ball at which Mademoiselle de Fontaine appeared was at the Neapolitan ambassador's. As she took her place in the first quadrille she saw, a few yards away from her, Maximilien Lo
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