ting at rehearsal and between scenes, and lady-stars often bought my
work, to my great pleasure as well as profit. Blanche wanted a new
shuttle, and her mother, who was under extra expense just then, told her
she could have it the next week. It was shortly before Christmas, and
next morning at rehearsal, with all the company present, Blanche walked
up to Mr. Ellsler and asked him if he had any money.
He looked bewildered, and answered somewhat doubtfully that he thought he
had a little. "Well," said she, "I want you to give me a quarter, so I
can get you a Christmas present."
There was a burst of laughter as Mr. Ellsler handed her the quarter, and
after rehearsal this is what she did with it:
On Superior Street a clothing store was being sold out--a forced sale.
There she bought a black shoe-string tie for five cents, as a gift for
Mr. Ellsler, and elsewhere got for herself a tatting-shuttle and five
pieces of chewing-gum, and chuckled over her caper, quite undisturbed by
her mother's tears.
One thing only moved her, one thing only she loved, music! She had a
charming voice, clear, pure, and cold as crystal, and she sang willingly,
nay, even eagerly, whenever she had the opportunity. In after years she
became a well-known singer in light opera.
CHAPTER EIGHTH
I Display my New Knowledge--I Return to Cleveland to Face my First
Theatrical Vacation, and I Know the very Tragedy of Littleness.
During that first season I learned to stand alone, to take care of myself
and my small belongings without admonition from anyone. One of my notions
was that, since an immortal soul had to dwell in my body, it became my
bounden duty to bestow upon it regular and painstaking care in honor of
its tenant. The idea may seem extravagant, yet it served me well, since
it did for me what a mother's watchful supervision does for other little
girls when habits are being formed.
I had learned, too, most of the technical terms used in the profession. I
knew all about footlights, wings, flies, borders, drops, braces, grooves,
traps, etc. I understood the queer abbreviations. Knew that O.P. side was
opposite the prompt side, where the prompter stood with his book of the
play to give the word to any actor whose memory failed him and to ring
the two bells for the close of the act--one of warning to the curtain-man
up aloft to get ready, the other for him to lower the curtain. Knew that
R.U.E. and L.U.E. were right or left upp
|