FREE BOOKS

Author's List




PREV.   NEXT  
|<   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   >>  
ing set them on to call for _Camille_. And they kept at it, too, till at last a mermaid-like creature--not exactly half fish and half woman, but half ball-gown train and half dinky little dressing-sack--came bobbing to the curtain side, delighting the audience by obeying it, but knocking spots out of the illusion of the play. In the fourth act Mr. Mayo played base-ball with me. He batted me and hurled me and sometimes I had a wild fear that he would kick me. Finally, he struck my head so hard that a large gold hairpin was driven through my scalp and I found a few moments' rest in truly fainting from fatigue, fright, and pain. But it all went. Great heaven! how it went! For Mayo was a great actor, and it was but intense excitement that made him so rough with me. Honestly we were so taken aback behind the scenes that none of us knew what to make of the frantic demonstrations--whether it was just the result of an extreme good nature in a great crowd, or whether we were giving an extremely good performance. The last act I can never forget. I had cut out two or three pages from the dialogue in the book. I felt there was too much of it. That if _Camille_ did not die, her audience would, and had built up a little scene for myself. Never would I have dared do such a thing had it been for more than one performance. That scene took in the crossing of the room to the window, the looking-glass scene, and the return to the bed. Dear heaven! it's good to be alive sometimes! to feel your fingers upon human hearts, to know a little pressure hurts, that a little tighter pressure will set tears flowing. It was good, too, when that madly-rushed performance was at last over, to lie back comfortably dead, and hear the sweet music that is made by small gloved hands, violently spatted together. "Yes, it was 'werry' good." And Mr. Palmer, standing in his box, looking at the pleased, moist-eyed people in front, took up the cue they offered, so promptly that within twenty-four hours I had been engaged to play _Camille_ at the Union Square, as one of a cast to be ever proud of, in a handsome production with sufficient rehearsals and correct gowns and plenty of extra ladies and gentlemen to "enter all!" at the fourth act. And more still, the new play that was then in preparation was called in and packed away with mothballs to wait until the old play had had its innings. Such a cast! Just look at it! _M. Armand Duval_ MR.
PREV.   NEXT  
|<   290   291   292   293   294   295   296   297   298   299   300   301   302   303   304   305   306   307   308   309   310   >>  



Top keywords:

performance

 

Camille

 
pressure
 

heaven

 
audience
 

fourth

 

comfortably

 
window
 

rushed

 

crossing


return

 

gloved

 

fingers

 
tighter
 

violently

 

hearts

 
flowing
 

preparation

 

packed

 

called


gentlemen
 

correct

 
plenty
 
ladies
 

mothballs

 
Armand
 

innings

 

rehearsals

 

sufficient

 

pleased


people

 

Palmer

 

standing

 
offered
 

promptly

 

handsome

 

production

 

Square

 

twenty

 

engaged


spatted

 

giving

 
Finally
 

struck

 

hurled

 

played

 

batted

 

moments

 

fainting

 
hairpin