ing set them on to call for
_Camille_. And they kept at it, too, till at last a mermaid-like
creature--not exactly half fish and half woman, but half ball-gown train
and half dinky little dressing-sack--came bobbing to the curtain side,
delighting the audience by obeying it, but knocking spots out of the
illusion of the play.
In the fourth act Mr. Mayo played base-ball with me. He batted me and
hurled me and sometimes I had a wild fear that he would kick me. Finally,
he struck my head so hard that a large gold hairpin was driven through my
scalp and I found a few moments' rest in truly fainting from fatigue,
fright, and pain.
But it all went. Great heaven! how it went! For Mayo was a great actor,
and it was but intense excitement that made him so rough with me.
Honestly we were so taken aback behind the scenes that none of us knew
what to make of the frantic demonstrations--whether it was just the
result of an extreme good nature in a great crowd, or whether we were
giving an extremely good performance.
The last act I can never forget. I had cut out two or three pages from
the dialogue in the book. I felt there was too much of it. That if
_Camille_ did not die, her audience would, and had built up a little
scene for myself. Never would I have dared do such a thing had it been
for more than one performance. That scene took in the crossing of the
room to the window, the looking-glass scene, and the return to the bed.
Dear heaven! it's good to be alive sometimes! to feel your fingers upon
human hearts, to know a little pressure hurts, that a little tighter
pressure will set tears flowing. It was good, too, when that madly-rushed
performance was at last over, to lie back comfortably dead, and hear the
sweet music that is made by small gloved hands, violently spatted
together. "Yes, it was 'werry' good."
And Mr. Palmer, standing in his box, looking at the pleased, moist-eyed
people in front, took up the cue they offered, so promptly that within
twenty-four hours I had been engaged to play _Camille_ at the Union
Square, as one of a cast to be ever proud of, in a handsome production
with sufficient rehearsals and correct gowns and plenty of extra ladies
and gentlemen to "enter all!" at the fourth act. And more still, the new
play that was then in preparation was called in and packed away with
mothballs to wait until the old play had had its innings.
Such a cast! Just look at it!
_M. Armand Duval_ MR.
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