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oiselle Tascher were superior to what would be supposed by those who have only known the French colonies at a subsequent period. The proprietors were many of them highly accomplished gentlemen, born and educated in France, who had retired to their estates in the New World, as a retreat from which to watch the progress of those events which were beginning to disturb the quiet of the Old. [Illustration: JOSEPHINE.] Josephine, naturally amiable and gentle in disposition, with manners which combined ease and elegance with dignity, possessed a natural aptitude for acquiring feminine accomplishments. She played, especially on the harp, and sung with exquisite feeling. Her dancing is said to have been perfect. An eye-witness describes her light form, rising scarcely above the middle size, as seeming in its faultless symmetry to float rather than to move--the very personation of Grace. She was mistress of the pencil and of the needle. Flowers were her passion; she early cultivated a knowledge of botany. To the _empress_ Josephine Europe is indebted for a knowledge of the Camelia. She read delightfully; the tones of her voice fascinated. "The first applause of the French people," said Napoleon, "sounded to my ear sweet as the voice of Josephine." The companion of her infancy was a mulatto girl, some years older than herself,--her foster-sister, Euphemia,--who never afterwards quitted her patroness, shared in her amusements, and was the companion of her rambles. In one of these an incident occurred, which exercised a lasting influence over her imagination. The particulars were, long afterwards, thus related by herself:-- "One day, some time before my first marriage, while taking my usual walk, I observed a number of negro girls assembled round an old woman, who was telling their fortune. I stopped to listen to her. The sorceress, on seeing me, uttered a loud shriek, and grasped my hand. I laughed at her grimaces, and allowed her to proceed, saying, 'So you discover something extraordinary in my destiny?' 'I do.' 'Do you discover traces of happiness, or misfortune?' 'Of misfortune, certainly; but of happiness also.' 'You take care not to commit yourself, my worthy sibyl; your oracles are not the most clear.' 'I am not permitted to make them more so,' said the woman, raising her eyes in a mysterious manner towards heaven. My curiosity was now awakened, and I said to her, 'But tell me, what read you in futurity concerning
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